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God Of The Rodeo: The Quest For Redemption In Louisiana's Angola Prison (1999)

God of the Rodeo: The Quest for Redemption in Louisiana's Angola Prison (1999)

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3.65 of 5 Votes: 4
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ISBN
0345435532 (ISBN13: 9780345435538)
Language
English
Publisher
ballantine books

About book God Of The Rodeo: The Quest For Redemption In Louisiana's Angola Prison (1999)

This book is only incidentally about rodeo, and even less about God. Yes, Bergner uses a prison rodeo as the structural device to build this account of prison life around. But it's not any kind of rodeo you would see authorized by the PRCA. The events are more treacherous, and the men who participate have no experience. They are a spectacle for a crowd of people looking for the same kind of thrills that drew ancient Romans to the Coliseum.The book is chiefly about the daily lives of several of the prisoners who happen to participate in this spectacle, as Bergner follows them over the period of a year at Louisiana's maximum security prison, Angola. Bergner is permitted to talk to them one-on-one, with no guards present, by an unusual warden with a reputation for his "humane" philosophy of incarceration and his efforts at rehabilitation. The interviews, as a result, or more than usually candid. One prisoner even fantasizes aloud to Bergner about escaping and taking revenge on the people who put him there.Not all the prisoners Bergner introduces us to are reprehensible. Most, in fact, seem decent enough blokes, and he has to keep reminding us (and himself) that all of them are serving time for violent, awful crimes. Most are black men, reflecting the racial (im)balance of the prison population. And most struggle daily to maintain a sense of self-worth that society and the judicial and penal systems have denied them. One man becomes active in the prison's chapter of Toastmasters. Another attends church services for a time. One holds out the hope that his teenage son will find a way to be proud of him. One romances a woman with two children who eventually marries him in a prison ceremony.Unexpectedly, in the middle of the narrative, the prison warden begins to pressure Bergner for editorial privileges. He wants only good publicity and perhaps suspects that Bergner has uncovered some shady dealings involving labor provided by prisoners to business associates. What starts as a congenial relationship between the two men turns sour, and Bergner has to take his case to a sympathetic state prison commissioner, who reinstates his privileges, no strings attached.The book ends as it begins with the annual rodeo. By now we know how the hope of winning a buckle feeds the participants' desire to compete and succeed. We also see the shabby futility of the event and regret ever yearning along with them for a moment of personal glory.I recommend this book to anyone who has the slightest interest in what happens to men who are sent to prison. Bergner has written a fascinating account of lives spent year after year behind bars. As a companion volume, I would recommend Ted Conover's "Newjack: Guarding Sing Sing," which gives an account of prison life told from the point of view of the men and women who work as guards.

Aside from a brief glimpse into the prison system in LA the 1990's, this book offers not much more than a poorly written half researched journalistic account of several life serving prisoners. An exploration of hope in a dismal existence and morality questions of whether they deserve to have it provided to them. The Rodeo still exists today and apparently is thriving. I can't wrap my head around the practice of utilizing men barely trained to handle wild bulls in an arena as entertainment for the public. Watching men get physically abused by giant animals seems barbaric. Yet the book provides the view from the inmates perspective, which in some cases is completely opposite. The portrayal of the warden as a "christian" god send for the prison, is counter-balanced by his documented self serving actions.

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Mixed emotions about this book. Although it starts out generally as an investigation into the life of some prisoners involved in an on-site rodeo and the work of a warden, it quickly morphs into a work something akin to muckraking. It is hard to find that much sympathy for these murderers (although to some extent you do), and the author tries to maintain a distance (though he doesn't). You almost get the feeling that he isn't telling the whole truth, that he sounds at times almost like his subjects (not in degree, of course, but there is a sense that he is defending himself too much), who generally can't be believed. Did anyone else have the feeling that he was trying to tease out some sensational info, but the result still fell flat. I am jaded a bit, perhaps, since I worked as a guard in a juvenile facility, and truthfulness was not something I found in great supply among the inmates. Still, he raises legitimate complaints and points out some problems, though even there he falls far short of a true investigation, as you also get the feeling that he didn't do his groundwork and was more interested in being impressed (at first) and awed, than really going in with a critical eye. But stuff jumps up and smacks him, nonetheless. As a southerner, how is it that the corrections field is so burdened with corruption and nepotism? I have seen men like Cain, at different levels, who profit from their positions. I am amazed everytime I hear about a guard selling drugs, or turning his back, or having sex with prisoners--it disgusts me. And I know the job is tough---the average stay of a new guard was less than six months (almost all of my training class was gone within a year). Even more troubling is the lack of adequate government oversight (except the courts). In the end the book becomes less about prisoners and more about the author and the warden. If you want to read a better account of prison work, read NEWJACK or YOU GOT NOTHING COMING.
—Jim

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