UPDATE: I've just reread this book so I've updated my review, which you can find at the end of my little lovenote here. :)Why Read The Malazan Book of the Fallen, or A Love Note to Steven Erikson (Okay, not really the latter)If you've even attempted to read Gardens of the Moon, the first book in the 10 book epic that is the Malazan Book of the Fallen, you'll see very quickly that you're not given much as a reader. It's confusing, it's complicated, it's full of mysteries and myriad of characters and magics that you can easily become overwhelmed. Not to mention, Gardens of the Moon isn't nearly as well-written as the rest of the series.Not the most ringing endorsement so far, but we're getting there.The Malazan Book of the Fallen series is easily the most epic series I've ever read. The history is mysterious (and murderous) and vast, the races are plentiful and old, and the magic is as powerful as it gets.How many times do you pick up a book that sounds epic, but you start to read and it really isn't? This happens to me all the time. Because of a drawback of the medium, there can only really be a focus on so many characters. I'm not saying it's a bad thing, but it takes away from the epic-ness. The consequences of a few characters may have far-reaching effects and the history and world may even be vast, but there's still no denying that the scope is limited. It can't really be anything else.Steven Erikson does something that has yet to be seen in epic fantasy. He has created the standard for what is truly epic. I'll not deny that his characters suffer somewhat from this, many seeming to be essentially the same, but he has truly created a world that is so vast and detailed you won't care.This is also part of the genius. The characters don't even know what's going on, who's killing whom or why. They rarely even know who's actually in charge. And Erikson puts you right there with them. In addition, they're the ones narrating the story, which means you really have no idea who to trust. This is yet another aspect of his genius because as humans, we tend to want things to go our way, to see things our way, even to tell stories that go our way. Many characters are humble enough to see their shortcomings, but the story is told from very human people... well, and gods.And like George R.R. Martin, Erikson has no problem killing off main characters. It IS the book of the fallen after all.Another reason to read this series is what I call the Superman phenomenon. Erikson creates characters who have it all when it comes to magic or military prowess or swordsmanship or you name it. They are all-powerful and when they clash it will blow your mind.At the same time, he creates tragedy filled with pathos that at one point had me devastated for weeks. This is not a bad thing, not only is it good for the soul, it's powerful writing that evokes emotions in you so strong you feel like you've lost a friend when all you did was finish a book. This makes me wonder how he can possibly be accused of having thin characters when he made me feel like that about them.Finally, and fittingly, Erikson has written simply the best endings I've ever read. Any bit of confusion, and believe me there's quite a bit in every book of the series, is rewarded ten-fold with an ending that you will never forget.For most books, you may get a hundred pages as you climax after 500 pages worth of build-up. Erikson gives you at least 200 and in some books even more than this. The Crippled God , the final book in the Malazan Book of the Fallen, starts a part of the climax with 400 pages to go in the trade paperback.Simply put, read this series. When you're 400 pages in and you still have no clue what's going on, it's okay, I've been there too. It will be worth it, keep pushing on. How many authors really trust you, the reader, to put things together on your own? Have you felt how rewarding that is, have you even been given the chance? Now's your chance.As Logan Ninefingers always says (or rather, his father), “Once you've got a task to do, it's better to do it than live with the fear of it."----------------------Updated Review:There are few books you put down and immediately want to reread. Gardens of the Moon is one of those books for two reasons. One, it's that good. Two, it's that confusing.On a reread I already know I missed a lot the first time, but I quickly realized I missed SOOOO much that first time and most of it is because I wasn't used to having to use my brain as much. I was constantly amazed at how much foreshadowing is in this first book. So much is mentioned from the origins of the T'lan Imass and Tiste Andii to the Jaghut and even a little about the Forkrul Assail. And the epigraphs made sense! They ACTUALLY made sense! I always thought they might, but they are tell quite a bit in fact. Some I was amazed actually give away events in the following chapter, but you have no idea when you first read it. You wily bastard, Erikson!Hand in hand with the foreshadowing I'm amazed at the level of detail in this book, there's hardly a sentence without extra meanings behind it. But the problem is - you just don't know who to trust when you're going through this on your first time and it's so hard to catch it when so much is revealed in such an offhand manner. I still remember being so confused the first time and then figuring something out. That's what sold me on the series and why I still consider it one of the best, if not the best out there. A second reading sealed the deal.Having said that I also saw a lot of why people say it's the least well-written of the series. It's well done, leaps and bounds ahead of most I think, but it can be inconsistent. For most of the series it's told in third person limited, and while that seems to have been attempted for most of this book, there were instances where it drifts to omniscient within a section. The pacing is also a bit off, but that's not really any different from the rest either.Despite that, I stick with what I said above. :) These complaints are drops in the bucket compared to this vast, epic tale filled with history and magic and plans within plans. At the moment, The Malazan Book of the Fallen is my all-time favorite series. This may or may not change when George finishes his series (in 2113, zing!), but I have a hard time right now seeing how it will be possible to top. Yes, there's a similar level of detail and even camaraderie you feel with some of the characters, but how do you top this kind of epic? I don't think there's a better feeling in reading than figuring something out that the author withheld, that's what sold me on my first read and what continues to make this my favorite.5 out of 5 Stars (Not even a second thought)Note: I also highly recommend reading this with a group, or just checking out the discussions from the group read I've been participating in. Being able to toss around ideas and theories is priceless and having people to explain some of it is also very helpful.
Let me state right at the beginning that I am typically not a fan of fiction series. Too often, I have begun a series or made my way through the first two books in a series only to find that the writer ran out of steam (and new ideas) somewhere along the way. Being a writer, I understand this. Sustaining the intensity required to write one novel for any length of time is difficult. Being a reader, I've been bitten one too many times by this lack of staying power on the part of several authors. Needless to say, I picked up Gardens of the Moon only after carefully reading dozens of reviews here on Goodreads and elsewhere. Seeing the blurb by my friend Paula Guran under the front cover clinched it. Paula has discriminating tastes in fiction and won't pin her name on a book that doesn't deserve it. And so, I ventured forth.For a book of 657 pages (of story), Erikson's novel read very quickly. This author has a good handle on how to keep the pages turning and how to move from character to character without seeming too choppy and without getting bogged down in one person's story. That isn't to say that Gardens was entirely glitch-free, particularly when it came to characters' actions or reactions. In fact, this is the first of my two criticisms of the novel: because so many sub-plots are being juggled here, and since we have such infrequent contact with all the players, there seem to be gaps between some characters motivations, reflections, and action. The most blatant example of this was manifested in Lorn, who takes a sudden swing from the disciplined, hardened Adjunct to a melancholy brooder on the self-destructive nature of human society on about page 427. I see where Erikson is trying to go with this - showing the struggle within Lorn's heart between loyalty to the Empress and feelings of responsibility for harm she has caused and the terror she is about to unleash. But it all seems so sudden, without precedent and without enough jarring of her experience to even cause her to consider questioning her past, present, or future actions. Whiskeyjack is also forcibly turned (by no other agent than the author's whim, it seems) toward a previously-absent sense of hope in humanity around page 500. This (newly-discovered?) sense of optimism just sort of pops out of nowhere. It's far too intense a feeling for the words and thoughts that preceded it; thus it feel disingenuous. I suppose that Erikson felt he must show some kind of foil to the fatalism that permeates the work. There are no paladins in this book and very few heroes. Even those whose actions are informed by a sense of duty are often twisted by the service they give. And no one is quite what he or she seems. Masks abound, figurative and literal, and some of the characters are even masked from themselves, which creates a nice feeling of dramatic tension throughout the book. The second flaw in the book is the muddled identity of the many non-human (more appropriately, "quasi-human") races that play key roles in the book, whether as individuals or as entire peoples. I had a very difficult time separating them out from each other. Maybe, after repeated readings, I'll get it all straight. But even the glossary was of little help and, in fact, added to my confusion regarding which races were which. Other than a few mentions here and there, racial characteristics were rarely mentioned. When they were, they were so far removed from other mentions of these characteristics that I found myself thumbing back through to try to find where that race had been mentioned before. I failed miserably. Frankly, the Dramatis Personae at the beginning of the novel and the Glossary at the end were not enough. I even went to the Malazan website to try to get enough information about the races to be able to visualize them in my mind, but to no avail. This book needs an index.Now, given those two flaws, I hasten to say that these are the main reason that I gave this book only four stars instead of five. This is one of the better fantasy books I've read in some time. Yes, the characters could have used some more fleshing out, but I'm expecting to see some of them in later volumes in the series. Overall, I quite liked them. I was particularly enamored of Kruppe, whom I really hated when he was first introduced, not because he's a despicable person, but because the syntax of his dialogue ran counter to everything that preceded it. As the story went on, I saw why Erikson had portrayed Kruppe in this way and, in fact, learned to appreciate it. I also liked the outright wickedness of Hairlock and the conflicted internal struggle that Tattersail went through (which seemed much more believable than Lorn's internal struggle, mentioned above). I have to say, though, that Circle Breaker, one of the more mundane of the minor characters, was my favorite. He filled the role of "everyman," a working-class character who is eventually rewarded for good, old-fashioned hard work . . . of a sort.The world of Malazan is a fully-fleshed out world, and Erikson does a good job of presenting its richness to the reader by using the dialogue between characters who have obviously known each other for some time to open windows to past events and cultural history. Some characters are famous enough that it is assumed that anyone in this milieu will know of them and their exploits. Casual bits of information about these characters are thrown about in bars or in private conversations, almost as an afterthought. But since no one is quite what they seem, it is only through seeing the characters' actions that these larger-than-life heroes'/antiheroes' legends are verified. Anomander Rake is a prime example of this. He definitely lives up to all the hype. And so does the novel. I am a man of limited time. I don't enter into a series lightly, and I will bail out at the first sign of fundamental weakness I detect. I simply don't have the time to waste on bad books. For now, though, Erikson has me hooked. Time will tell if he stands the test of time: timelessness. So far, so good.
Do You like book Gardens Of The Moon (2005)?
This was a tough book to get into.There is no spoon-feeding here. You are thrown into the world that Erikson created with no back story or explanation. Although there is a glossary of important terms and people. I suggest putting it to good use, like I did.Nothing is clear from the start, but once you start getting invested and reading between the lines, you start to notice how truly amazing this book is. There are a lot of characters, and despite finishing this mammoth book I feel like I have barely begun to scratch the surface of who they are.However there is a lot of action, and it is done well. After struggling with the start of the book I suddenly found I could not put it down. Stick with it. It will be worth it. I truly enjoyed this book and can't wait to read the next one!
—Kaora
WHY THE LACK OF A PLOT SUMMARY - One of the things I loved about this book was that the plot and its many sub-plots are a continuous mystery. You the reader are solving this "mystery of the plots" throughout the book. Who did what when and where. Erikson does not spoon-feed you a story with a nice begining, middle, and end. You must work for the details of the plot. I like this challenge. I found it refreshing and would not spoil it for anyone. However, when people saw that I was reading Gardens of the Moon, people didn't ask me what it was about or even if I liked it. They asked me the following:IS IT AS DIFFICULT AS EVERYONE SAYS IT IS? -I don't believe it's difficult. I believe it's challenging and intense. You have to be ready to immerse yourself in the world of Malazan because since you are solving the "mystery of the plots", you need to be looking for the clues. Did I mention you don't always know what the clues are?? And they are hidden in plain sight somewhere on the 487+ pages!! The first half of the book was much more slower of a read, but as I gathered my clues and began to remember the MANY proper names and places, the reading sped up. But I could never have read this book as fast as I could my other books on a first reading.WAS ALL OF THIS DEDICATED READING WORTH IT? -YES, Erikson drops you off in the middle of place called Pale that has just been devastated by a sorcerous battle and you must start figuring out what is going on. BUT Erikson's world is magical; magical in that he describes it as if he has lived there all his life. He gives you histories, and founding peoples, and City councils and much more.YES, I was still looking at my list of humans and non-humans and gods, etc up until the time I finished the book. BUT these characters are all so fully developed, I felt like I knew them and there is not one that I could not imagine myself meeting because I can see them so clearly in my head. I couldn't rate the book less than a 4 just on the strength of his world and characters alone. And there are thieves, assassins, and spies, oh,my!RECOMMENDED TO - People who enjoy military, heroic, epic fantasy. People who enjoy a fantasy where they are not spoon-fed every piece of the story and don't mind mindfully reading. Not recommended to people who don't like books with violence, unless you don't mind skipping over parts (which I've mentioned is difficult to do in this book!)The violence is offset by an understated humor that Erikson has that was just my style and I found worth reading through the violent parts for.
—Candace
This was my second read of Gardens of the Moon, I had read the book in June 11 so it was relatively fresh in my memory. I remember when I was half way through this series thinking to myself, i cannot wait to start this again. I was less than 5 pages into this re-read when i realised just how much I was going to enjoy the story with the knowledge I had. Erikson is a brilliant story teller, There are a number of 'Epics' out there, to be honest, there probably needs to be another honorific that transcends Epic. This story, you have to factor the whole story when discussing the Epicness of this, is unlike any other i have read. You'll read much about how hard it is, how lots have tried and given up, how Erikson loves his descriptive prose etc etc But at the end of the day, what Erikson does is create a world with lots of shit happening in it. He then opens a portal and drops you in it. There is no backstory, there is no slow introduction of characters, it is here and now and you'd better start concentrating. I remember when Twin Peaks first came out, I remember half of my friends thinking it was the best thing they had ever seen, there was bizarre stuff, mysteries, weird clues and it didn't get resolved at the end of the hour, hell there was a possibility it might not get resolved. The other half of my friends hated it, absolutely hated it with a passion. There was not many fence sitters. The haters did not like the fact that, sitting on their couch, relaxing with a glass of wine and then having to work hard to gain enjoyment/ nah! not their idea of entertainment. Malazan Book of Fallen is a lot like that.Erikson will not give you any free passes with this book, he will tell you what is going on and start to slip in clues about why it is happening. As the characters unveil plots and gain information, you gain it too. There is no God view here. So why does this make a brilliant book? Why does this become more than an epic? i'll tell you why, because you feel a sense of achievement as you read this book, your mind is being forced to work and not just process words flowing across a page, having the story spoon fed to you. Why the hell did an Elder God just suddenly appear after hundreds of years of inactivity? Did you not remember the discussion about sanctifying temples? Yeah, neither did I at first. Erikson has the ability to create a world that seems very much real. Characters who develop personalities that you can identify, he needs to be able to do this because by the end of the story you know 500 characters and be able to describe each one. There is a downside to this realism. The book can be very violent, if you want descriptive world building you get descriptive battle and gore. It can be grim at times, but this is a shitty grim world. You have a army marching across the world conquering. Hundred thousand troops marching from one place to another is not a Contiki tour of Europe, this is a nasty world where the population live in fear of war and death. Being in a conquering army is a awful life most of the time, there are moments of brightness, but Erikson doesn't hide the badness of it all. I always recommend this series to people, I know most won't stick with it, that's ok, I understand not everyone wants to invest in the story like you have to do with this. But when I meet people who have read the books....happy times, you will NEVER have a moment where you have nothing to say to each other. You'll find you can talk for hours on the subject that is Malazan.If you are planning on reading this book and would like help in understanding the story. The group The Fallen, has a discussion thread chapter by chapter, in fact some of the threads are longer than the bloody chapters themselves. it is likely that if you have a question, it has been asked and debated to death here. The group is VERY strict on spoilers, so each thread is chapter specific.
—Lee
