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A Fish Dinner In Memison (1978)

A Fish Dinner in Memison (1978)

Book Info

Author
Rating
3.67 of 5 Votes: 4
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ISBN
0345278534 (ISBN13: 9780345278531)
Language
English
Publisher
del rey/ballantine

About book A Fish Dinner In Memison (1978)

Originally published on my blog here in June 2002.The second of Eddison's Zimianvian trilogy is the most difficult of his novels to read, though it is well worth the effort. It has much more to do with the aims of his writing than Mistress of Mistresses, where the hinds about what is being done can easily be ignored, and the unfinished and in many parts skeletal nature of The Mezentian Gate make the underlying ideas far more obvious. The trilogy as a whole has an extremely unusual and rather disconcerting structure, in that it is more or less in reverse chronological order, with much overlap between the events in the second and third novel (the central event which provides the title here also occurs in The Mezentian Gate).The fact that the opening chapter contains phrases in French, Italian, Greek and Latin might put a fair number of readers off, but more difficult in actuality is not so much Eddison's theme (time and eternity) as what he wants to say about it. (Eternity is also the theme of Eddison's less obviously related and most famous novel, The Worm Ouroboros, as the worm is a symbol for the concept.) The philosophical introduction won't clarify matters for anyone who hasn't read at least one of the novels in the trilogy already. Eddison could have written an allegorical fantasy, which would have been more familiar as a form to many readers of the genre, but he felt that it would be too easy to do this and would diminish his subject; instead of personifying eternity, he wanted to use all his characters to hint at different aspects of his ideas about time, in the same way that he felt that real world individuals did.Eddison conveys his ideas as well through the parallels he makes between the real world and Zimiamvia, and by making several of his characters incarnations of gods and goddesses (or, perhaps more accurately speaking, of the ideas behind the characteristics of Zeus and Aphrodite). These ideas, present in the other two novels, appear here in more complicated forms which are explained in less detail, as the earthly story is intertwined intimately with the Zimiamvian, as Lessingham's courtship of Lade Mary Scarnside parallels Duke Barganax's of Fioranda. Then there is the "fish supper" itself, where discussion of how the gods create worlds for their own amusement leads to the act itself, as our "real" world is exhibited as a fantasy of a dinner party in Memison.The structure is a bit confusing, at least on first reading, but A Fish Dinner in Memison contains much which is inventive and still fresh (especially the idea of our world being a temporary diversion, one which has recently been re-used in The Science of Discworld as a way to explain scientific ideas through Terry Pratchett's popular fantasy series). It is a philosophical and, like all of Eddison's writing, a poetic novel - the language of the chapter "Night Piece: Appassionato" in particular seemed to me to invoke the eternal. Recommended to anyone with an interest in the more philosophical fantasy novel.

While Eddison's earlier works demonstrate his skill with language and story telling, they lack the depth that makes this story so compelling. In this book, the author turns his attention to bigger themes - time, deity and personality among others - and presents a fantasy that sheds light on reality. I disagree with a number of his views but Eddison has clearly thought deeply and presents a compelling tale that never descends into allegory and retains the integrity of the tale. It's rare that I've read a book that invokes as much admiration and pleasure simultaniously.The Worm Ouroboros is a skillfully told adventure story. Mistress of Mistresses begins to probe important issues. But Fish Dinner in Memison is Eddison's magnum opus and deserves to rank among the best books to have graced the fantasy genre.

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OK, this gets a bit … complicated …The previous book in the series, Mistress of Mistresses, opened in our own world with the funeral of Lessingham, an older gentleman who’d apparently done great things in his youth. The scene then shifted to Zimiamvia where the death of King Mezentius and, in fairly short order, his son King Styllis has set off a dynastic struggle between Mezentius’ bastard son Barganax (basically a decent guy) and Mezentius’ daughter, the reigning Queen Antiope (supported by the very not-nice Vicar of Rerek, Horius Parry, and Parry’s supremely competent cousin-german Lessingham (the same? different? who can say?), whose family ties oblige him to support his rat-bastard of a cousin. Oh, and he’s also extremely sweet on the young Queen, and those affections are most definitely reciprocated. So we had all manner of battles and intrigues and betrayals and romances, with a soupçon of magic, told in Eddison’s inimitable prose.The events of Fish Dinner take place before Mistress of Mistresses, although I’m going to studiously avoid (as would, I believe, Eddison) using the word “prequel” to describe it. We actually have two parallel stories – in our own world, we follow the meeting, courtship and marriage of Lessingham and Lady Mary Scarnside; in Zimiamvia, we’re back with King Mezentius, his son Barganax, Barganax’ mother Amalie, the redoubtable Vicar and various others who’ll cause and/or become embroiled in the events of Mistress of Mistresses.Having said that, this is not a book of action; it’s primarily a book in which the various characters, in various combinations and permutations, have lengthy discussions about the nature and purpose of existence and of Love (yes, capital L), especially at the eponymous fish dinner. It’s also at least hinted that Zimiamvia has been created so that Lessingham and Mary (in various incarnations) have an opportunity to spend more time together.
—Joseph

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