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Warrior Scarlet (1994)

Warrior Scarlet (1994)

Book Info

Rating
4 of 5 Votes: 1
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ISBN
0374482446 (ISBN13: 9780374482442)
Language
English
Publisher
farrar, straus and giroux (byr)

About book Warrior Scarlet (1994)

This is the story of Drem, a boy of the Bronze Age, who wishes to take his Warrior Scarlet, the kilt that signifies that he is a full, adult member of the Tribe. Alas, he has a withered right arm, so the oddas are against him.Warrior Scarlet is, like most of Rosemary Stucliff's books, beautifully written, particularly the descriptive passages that describe seasonal activities as the year wears on. Like always, when reading one of Sutcliff's books, I feel not only that I've been entertained by a story, but also that I've been living in another culture, another time, for a while--I feel like I know something about history when I read her books.This is a coming-of-age story, of course, and follows Drem in his growing maturity. But it is also a story of his journey to compassion. At the beginning of the novel, he treats people thoughtlessly; but his suffering enables him to grow in his fellow-feeling for others, and the novel ends with his passage into not merely adulthood, but a kind of maturity of compassion.The reason I give this book three stars instead of four is that the plot is really very predictable. I was about ten pages ahead all the way. Perhaps if I were reading Warrior Scarlet as a child, instead of an adult, I would not find it so. As it is, however, there were really no surprises. I kept reading because I enjoyed the Bronze Age world (about which I had known nothign previously), and because the characters were interesting--I almost never felt like I didn't know exactly what was going to happen next.

I can see in Bronze Age Drem, and his people, bits and pieces of many of Sutcliff's other stories: the death of the old King and the making of the new (and a version of the Wolf-Slaying) is in Frontier Wolf; the New Spear ritual is in Eagle of the Ninth; there are cultural elements I recognize from Mark of the Horse Lord, too. This makes it a more familiar book, despite being set long before the others.What I like about Sutcliff's work is that she does not shy away from having really bad things happen to her characters, or from forcing them to make difficult decisions between a bad choice and a worse choice. This gives her stories more depth than what they might have otherwise; this could have been a simple 'disabled boy proves he can be a warrior' story, but it's a bit more. As in many of her stories, there is a shield-brother/loyalty thing going on, but here it is a more complex thing - the various permutations of friendship, rivalry, and loyalty among the boys are very interesting here, reaching an apex when Vortrix has to choose between two bad alternatives. And there is also a real feel of sadness about the ending, of how the characters relate to each other within the framework of their culture; it's not an unalloyed positive ending, and I appreciate that.

Do You like book Warrior Scarlet (1994)?

I know everyone likes this one a lot... but I couldn't really get into it.This is the tale of Drem, a boy in a Bronze Age British tribe, and his journey into manhood in a culture that expects him to singlehandedly kill a wolf -- the problem in Drem's case is that he literally has a single usable hand to work with. The novel as a whole has beautiful, lush description -- just the sort of thing Sutcliff's books are good at -- and some dramatic action and numinous rituals and same-sex friendship and a whole bunch of fun stuff. I see why people like it. Also, hey, wolves. And dogs. Everyone likes those.I didn't really like the book, though. It's not a narrative about disability that I ever really enjoy reading, and Drem is an unpleasant character a lot of the time, and the plotline about his foster-sister really irked me. So, no. I would still recommend it to people -- because clearly tastes differ -- but it's definitely never going to be one of my favorite Sutcliff novels.
—Sineala

When young I read several of Sutcliff's excellent "juvenile"historical novels set in early Britain, but I missed this one till now. Most of hers I read are in Roman or post-Roman Britain, but this is early bronze age, so the society is muchmore speculative. I suspect an expert in the era would find some of the reconstruction outdated, but it seems vividly real as she describes it. In her version, the young men of the tribe must each kill a wolf single-handed, a problem forthe hero Drem since he literally has only one good hand. He painfully trains himself to fight one-handed, fails to killhis wolf, and is relegated to herding sheep with the Half People--a small dark folk dominated by his own tall blond people. He reluctantly adjusts to this life, but then has achance to redeem himself and kill his wolf after all. As far as I know, there is no historical evidence for the wolf-killing ritual; I suspect it is based on the Masai lion-killing ritual which Saunders also used in Imaro.I would say Sutcliff's wolves come across as believable; theyare not the monsters of earlier fiction or the eco-saintsof some recent writers; they attack sheep when they arehungry and only fight humans who get in the way.
—John

When Drem is nine he has a sudden, life-changing realization. The arm that has been crippled since birth may deny him a place in his Bronze Age tribe. Determined to fight for his place in order to win it, Drem gains allies among his peers and the tribal leaders by means of his charismatic and indomitable will. When pure chance topples the world he has built for himself, Drem must leam that will-power cannot overcome all obstacles. Arrogance and humility, isolation and inclusion, enmity and charity are interwoven in this fine story of one boy's search for his place in the world. Recommended to YA readers in general, in particular those who liked Jack London's White Fang and Call of the Wild.
—Megan

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