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The Raw Shark Texts (2007)

The Raw Shark Texts (2007)

Book Info

Author
Genre
Rating
3.87 of 5 Votes: 3
Your rating
ISBN
1841959111 (ISBN13: 9781841959115)
Language
English
Publisher
canongate u.s.

About book The Raw Shark Texts (2007)

10.You are a book, The Raw Shark Texts. You are an unstable narrative. You are a story of loss and love and memory, of a broken heart and a broken mind. You are a mystery; you are a postmodern text; you are equal parts Burroughs and Palahniuk and Eternal Sunshine of the Spotless Mind. You are a first novel, complete with a first novel's typical weaknesses: a certain stridency and repetitiousness that is occasionally tedious, a tendency towards wanting to amaze the audience with your brilliance, characters and dialogue that are intended to be cheeky & real but often come across as precious & cutesy-poo. You are overlong. Still, your ambition is pleasing. Your level of writing ability is impressive. There is a mad genius to it. You exist on multiple levels. You excited me, then bored me, then excited me anew. You made me think on many things: new ideas and old, what is a person, what is an emotion, what makes a concept real. You are a book that this reviewer rather Liked. well, in a 3-star sort of way.(view spoiler)[9.You are the protagonist. You have no name, no memory, no life. You have a dissociative disorder, you suffer from psychotropic fugue. You have a cat named Ian and a house bereft of clues. You wake up in this empty house and follow the instructions that your former self has left for you. You see your psychiatrist, who tells you little besides platitudes. You begin to receive letters and packages from your former self, clues to your mystery, a path to follow. You have an enemy:8.You are the Ludovician shark. You are a conceptual predator. You devour memories whole; you leave your victims emptied out, you take what is them and you eat it. You will follow your prey anywhere.7.You are Mark Richardson. You are the assumed identity of a man who does not know himself. You are on a journey through un-space, those places built and then left by man, those empty spaces. You must find Dr. Fidorous, your uncertain ally. You encounter Mr. Nobody, a hollow vessel. You are rescued by a girl:6.You are Scout. Or are you? You have lived in un-space for so many years. Are you a figment of imagination, a hope, a resurrection of a dead girlfriend? It matters not; you are on the run. You rescue Mark Richardson, but you have your own motives and agenda. You must destroy your own enemy:5.You are Mycroft Ward. You are old and rich, an industrialist, a man who wants to live forever. You come up with a plan: duplicate your brain patterns, imprint them on another. You succeed. You do it again. You succeed again. There becomes more and more of you; few whom you target are able to escape - the girl Scout is one of them. You search for her as you multiply. You multiply. You multiply. You are legion.4.You are a conceptual shark boat named The Orpheus. You are made by Dr. Fidorous to kill a mind shark and to destroy a multiple man. You are composed of planks of wood, boxes, 80s computers, plastic barrels, cardboard, stepladders, an office chair, coat hangers, a desk fan. You are transformed; you become real. The hunt is on.3.You are Eric Sanderson. Your girlfriend - the love of your life - has died on a trip to Greece. You blame yourself. You empty your mind; you become nothing, a living un-space. You are not to blame, Eric. You must free yourself. You die; you are reborn. (hide spoiler)]

A bit oversold, but certainly creative at times with a sprinkling of novel ideas which for me, almost worked; but not quite.At heart this is a simple love story, which I didn't mind as I quite like simple love stories, being an old romantic at heart. That the love story was between a man whose memories had been eaten by a conceptual shark (see later) and a woman who he may have loved in his pre memory loss existence who is now dead (but not a ghost - nothing supernatural here) matters not a jot. There are homages all over the book and references to films and books. Lots to Casablanca and of course Jaws; the last part of the film is played out at the end of the book. There are quite a few oddities. A character we never meet called Mycroft Ward decides in the mid 19th century that he really does not want to die. He studies hypnotism and finds a younger suggestive subject and hypnotically gives him great detail about his own life and becomes him. He continues to do this creating a number of versions of himself. He eventually becomes an internet database. Now the fish. The novel depends on the idea that there exist conceptual fish that feed on ... well, concepts and ideas. The Ludovician is a large conceptual shark that feeds on memories and seems have have developed a liking for Eric, the main character in the book. Eric recieves messages from his previous self in the mail and from other sources telling him how to protect himself.There is also unspace; the empty spaces in our modern urban world, behind shops, empty factories and warehouses, railway sidings. The whole thing reaches a climax in the conceptual world, which becomes real to the protagomists. I quite like that idea.There are some quite clever ideas and it has cult classic written all over it; I also suspect it is designed to be filmed; although quite how they're going to manage conceptual fish! The ending is a bit of a cop out and the first part of the book deserves better.It is entertaining, but on closer examination rather flimsy. Apparently for each chapter in the book there is a negative (or unchapter) out in the world somewhere; on line, in other editions of the book or yet to be discovered. Am I bothered enough to seek them out; nope. That may tell you all you need to knowI did like Ian the cat and had every sympathy with him being dragged around Eric's rather mad adventures.

Do You like book The Raw Shark Texts (2007)?

The Raw Shark Texts was released back in 2007 by first time U.K. author, Steven Hall. In some circles, it’s been referred to as some bizarre cross between Jaws and The Matrix with perhaps a little Da Vinci Code thrown in there for good measure. It follows the story of Eric Saunderson who awakes on his bedroom floor without any memories. While the man retains his basic motor functions, he remembers nothing resembling emotions or sense of identity. Shortly upon awaking, Eric finds a note left by the “first Eric Saunderson” with basic instructions on how to resume his life. From this point forward a proverbial can of worms is opened and the mystery unfolds itself in an addictive way, by which I mean, it’s really hard to put this book down.I had an experience like this when I read “House of Leaves”. The stories are quite different but the layout is just as ambitious. While Danielewski goes above and beyond with liner and foot notes as well as scratches and interchanging fonts, Hall goes with long gaps of pages with little to no words as well as diagrams and exhibits. The changing style throughout the novel really adds to the experience and gets the reader more involved in what is happening to Eric’s world. There’s something about this style that I really like. I guess it’s refreshing to pick up a book that not only feels different but looks different as well. Some people could probably write this off as some sort of gimmick but changing things up once in a while should be welcomed.While Hall is working on a second book, whether he can produce something on par to Raw Shark Texts remains to be seen but I know that I’ll be checking it out. Let’s just hope he doesn’t go in the direction of Danielewski’s Only Revolutions.Cross posted @ Every Read Thing
—Brandon

Trying to write a thoughtful review and one that is useful to other users for The Raw Shark Texts is difficult as it doesn't lend itself to such a task.An equal problem I encounter are my own feelings. In truth, for me this was frequently not a book to be easily enjoyed and it is tempting to slip into a 'what-I-would-have-liked-this-book-to-be' style of reviewing. But against these difficulties I found this book to be captivating. Sure I had to put it down and leave it at times and on other occasions it felt like I was slogging through sections but in the end I was compelled to finish it nonetheless. For me at least, now finished, it felt worth the trouble. (view spoiler)[The narrative is what by and large wins me over. It is the stories and to a lesser extent the characters who kept me plodding on. When I say stories, I mean stories. Looking back now that I have completed the novel it feels like The Raw Shark Texts is a hashing together of a few different potential novels. A romance, a tragedy of love lost, the suspense of lost identity, a sci-fi horror, a story of a fantastic beast (or shark in this case) and a strange and adventurous journey. Sure, a narrative can have all these elements but my problem with their presence in The Raw Shark Texts is they don't sell as a unified narrative but instead a stitching together of discrete narratives. A good idea alone does not a good novel make and piling in a few more for good measure only serves to exacerbate the problem. Even with this criticism though it was these unfolding narratives that kept me engaged. I kept reading in anticipation of more of one or another narrative being revealed or followed up on. Perhaps I continued where a less hopeful or optimistic reader would have left off. The characters also kept me in engaged for similar reasons. I continued to read in anticipation of finding out more about the original Eric Sanderson, the deceased Cilo Aames and to a lesser extend Scout. The story of Eric and Cilo which largely motivated the narrative of The Raw Shark Texts was one I kept waiting to be revealed further. Though by the end, really all I cared about was the survival of Ian the cat. One major difficulty I have is that it reads for the most part as a treatment for a potential Hollywood blockbuster This despite some truly stellar writing in the first part of the book. It is clear Hall has the capacity to be a great writer but by and large it doesn't feel as though he is bringing his complete ability to this novel. I also felt let down by the gimmicky nature of The Raw Shark Texts. The clear one is the appearance of the shark in text with in the novel. In regard to that I am ambivalent, so that's not my issue. The apparent existence of extant material or missing chapters is however unspeakably frustrating. While I enjoy a slow reveal and mystery their discrete existence outside the text is problematic as it is a clear barrier to being able to genuinely appreciate and comprehend the text. When I sit down to read a book I do not expect it is necessary to join the cult behind it to gain access to the full text. The cynical part of me feels like it is a marketing ploy and just an excuse to release The no-long-RAW-but-COMPLETE Shark Texts further down the line. (hide spoiler)]
—Caleb

It has been years since I read The Raw Shark Texts but it still remains as one of the most ambitious, daring and bold debut novels I have had the pleasure to read in my lifetime. It is an bizarre and resounding melange of everything you can think of which makes it hard to label. As many before me, and many after me, has stated it is as if watching Matrix that takes its influences from Memento. From Da VInci Code. Even from Jaws itself. And still manages to be something astonishingly unique and original in a familiar context.The Raw Shark Texts is also a novel that makes you incredible sad if you are not surrounded by book loving people as it screams to be analyzed, talked and chopped to pieces, to be fully appreciated and understood.Note: I read this in Finnish.Also posted at: http://hfk.booklikes.com/
—Hunger For Knowledge

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