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The Heart Is Deceitful Above All Things (2002)

The Heart is Deceitful Above All Things (2002)

Book Info

Author
Rating
3.62 of 5 Votes: 5
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ISBN
1582342113 (ISBN13: 9781582342115)
Language
English
Publisher
bloomsbury usa

About book The Heart Is Deceitful Above All Things (2002)

Though the works of J.T. Leroy turned out to be hoax. They weren’t autobiographical or the work of a runaway teenage prostitute. It still doesn’t diminish the powerful writing and stories. I am glad it was a hoax knowing things like the actions on these pages and people like this do exist is horrifying but I’m glad in this instance they all didn’t happen to this one person and that there is no real victim here reaching out and telling there story.This book is sort of a prequel to SARAH it was written and came out after SARAH but tells the early stories of how the protagonist of SARAH got to where they were at the beginning of that book. This book is hard to get through. It has the beauty of language, but the stories are so horrific and the characters vile that sometimes you want to put the book down take a shower and call a friend to assure that there is good in the world and good people.It’s an amazing book that is not uplifting at all you’ll be amazed the character survived at all and quite frankly afterwards it will leave you probably feeling quite down. It is a amazing book though, at times I have no right to complain about trivial things because it cold be a lot worse it also leaves me with a disposition where reading about the evils of the world makes me feel like a cop where I look for danger and worst case scenerios wherever I look and feel no matter how horrible. Nothing in human behavior can shock me to the core, it can disgust me but never shock unless i witnessed ir first hand which is very unlikelyIt’s almost like when I read a book that I know is horror or a downer challenging myself to react or seeing how far I can read until I finally feel something .

mostly sensationalist blather. years ago, some of my upper middle class pals (who couldn't even stomach dorothy allison) all held this book in such high esteem as some tome of truth. i wasn't surprised as i read it that the grim/allegedly "raw" story-telling felt manufactured- as manufactured and fun as watching the depictions of poor or "trashy" people fighting it out on the stages of maury povich or jerry springer. more often than not leroy/altert employs caricatures to characters. sickened but not surprised, mediocre folks are always co-opting other cultures in order to edge themselves up, make their middle of the road hip suddenly. middle and upper class people co-opt style and iconography from working class/poor folks all the time in order to "up" their "realness". these books though "interesting" in terms of the backstory regarding laura albert. i can appreciate when a writer can mine their pain or history for stories - be it non fiction or fiction. however, despite the fact that i'm sure jt leroy was a conduit to release her pain, i cannot let the fact go that she chose the most sensationalistic way (borrowing and combining real issues) to share because, she knew, that was the way to achieve fame - not from no name hustlers or kids on the street - rather from celebrities wanting to be anything other than what they are. i think that may be what always 'gets' me with this book, as someone who grew up working class/poor and as a survivor- that these stories ring hollow for me

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I didn't really care about the whole drama surrounding JT Leroy when I read this, about whether he really existed or was a made up character (which it now turns out "he" was) in turn writing works of fiction based on a life which is also a work of fiction... I still don't care that JT didn't actually exist - it doesn't take away from the writing or the story in my eyes. Perhaps it displays even more storytelling talent on the author's part? I found "The Heart..." to be more realistic than "Sarah" was, there was no away-with-the-fairies stuff, apart from incidents which you are made aware are the delusions of the characters rather than something the reader has to suspend belief in. I liked the way it kind of jumped about in places, and you had to keep reading for it all to make sense. I do enjoy stories like that, which reward you for reading on and putting some thought into the words as you take them in. And again, as in "Sarah", its written perfectly from the point-of-view of the child narrator, with wonderful child-like interpretations of the adult world, especially the crystal meth part. Its a dark and dirty book too, one that makes you feel unease and real emotion as you read it. LeRoy has a voice that weaves intriguing stories, but stories which still leave room for your own diagnosis.
—Sarah

Know what? Fuck that. This is better because JT Leroy was a hoax. When you look at the way that honest, caring, media-appropriately-framed stories of trans people look in this society, you throw up. Uh. *I* throw up. Maybe you are super into it. I can't think of a trans author (okay, one who's not Jan Morris) who's writing fiction that really pokes me in the eye. Or memoir, actually. (I haven't read T Cooper yet though, so maybe T Cooper.) I'd much rather read JT Leroy than Jennifer Finney Boylan. I'd much rather watch Hedwig than, what, Transamerica? It's just that, often, when people write about trans stuff without the preciousness that comes with trying to get everything right. Like, Bohjalian's Trans-Sister Radio? Pssh. There was nothing really WRONG with that book except that it was boring and handled the drama of being trans in such a fuckin Lifetime movie way. JT Leroy, man, both this one and Sarah, whatsername got a lot of things right. I think she got them right because she was writing about pretty universal things- loneliness, desperation, laissez-faire attitudes toward who you fuck- but putting them in a trans context. Or a meta-trans context. Or something. It's just that- the trans stuff, the poverty stuff, the sex work stuff- that never seemed to be what was sensationalistic in her work, or, at least, more sensationalistic than anything Chuck Palahniuk writes. The sensationalism was in the fantastic emotional landscapes and I can't argue with that. I read 'em a long time ago though. I could be wrong.
—Imogen

The JT LeRoy narrative is a depressing subject. It's one thing to write under another identity, but to actually pull people in via the "victim's mentality" is quite Tom Ripley like. There is no doubt in my mind that the author is disturbed, but what is worst is how she hoodwinked a whole community of people.And I am not excluding myself from this world. I too am drawn to writers who seem to have interesting lives. So who can say what is real or not real. What is interesting is that as a reader or a viewer (voyeur?) we want to believe in something so much that we are willing to look the other way - when the obvious is on hand.And basically the title says it all: "The heart is deceitful..."
—Tosh

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