About book The Diamond Age: Or, A Young Lady's Illustrated Primer (2000)
I love fiction set in the Victorian era. Sexually-repressive mores and cool, arrogant superiority aside, the Victorians embody a sense of order and etiquette that often escapes us these days. They had protocols for social interaction—protocols embedded in unfortunate distinctions between classes, and laden with the constant threat of small talk about the weather, but protocols nonetheless. The Victorian cadence and diction are so courteous, delightful without being overly flowery. While I would never want to live in the Victorian era, I do admire them for this polished and civil approach to discourse.So I was pleased to see Neal Stephenson invoke the Victorian zeitgeist in The Diamond Age, where the New Atlantans represent a vision of social order based on principle rather than authoritarian enforcement. Unlike the British Empire of old, the New Atlantans are but one phyle—albeit, one of the most influential—among many; those born into it are free to leave, and those not may, if accepted, take an Oath to Her Majesty Queen Victoria II and join. With such flexible notions of statehood and allegiance, Stephenson has created a middle ground between the localized countries of today and the decentralized megacorporation-states envisioned in some cyberpunk.Through a neo-Victorian and Confucian lens, Stephenson depicts a variegated world where nanotechnology, coupled with nearly-unlimited energy, means an effective post-scarcity world—but there is still poverty, unrest, and injustice. On one level, this world seems utterly different from ours, with its own jargon, social strata, technology (of course), and conflicts. On another level, it seems remarkably similar to our world, the only difference being that post-scarcity has enabled every ideology to experiment with its own lifestyle (embodied by the phyles) without much fear of catastrophe.Of course, this is just background. After a certain amount of fussing around with minor characters and establishing some expository details, Stephenson starts telling us a story about people whom we can care about, even when their individual needs conflict. Thus, while it is a tragedy that John Hackworth's illicit second copy of the Young Lady's Illustrated Primer gets stolen before he can give it to his daughter, it is a miracle for its new owner, Nell. As much as we want John to succeed in his goal of raising Fiona to achieve greatness, we also want Nell to grow up into a strong, capable girl who can escape her abusive domestic situation.Through delightful stories-within-the-story and liberal use of jumps across the space of several years, Stephenson shows us Nell maturing, thanks to a loving older brother and the guiding hand of the Primer. One notable aspect of The Diamond Age was its ability to surprise me: Harv was one of many characters I didn't think I would like but did. He truly cared for Nell, to the point that when he helped her into a better situation but recognized he could not join her there, he essentially threw himself back into the slums so she could stay. Despite lacking any Primer to raise him, Harv turns out a good person, even if his ultimate fate is regrettable.The character that surprised me most, however, was Miranda. She began as a ractor with a dream of stardom and ended up acting as a surrogate mother, through the Primer, for Nell. Her attachment to Nell, like that of Harv's is endearing in its genuineness. While Nell has a good many people interested in her wellbeing—indeed, a superfluity considering how impersonal and dangerous a world Stephenson makes this seem—Miranda, Harv, and Constable Moore stand out because they care about her as a person rather than a means to an end. To Lord Finkle-McGraw, John Hackworth, Judge Fang, etc., she is just an interesting experiment. To Miranda, she is a little girl (who grows up into a young woman) who needs a mother. Amid so much technology, the characters with personal stakes are the ones who matter most.Unlike Miranda and Nell, not every character is so well-conceived. Some, like Judge Fang, start off important and then just vanish prior to the end of the book. Others, like Carl Hollywood, begin as minor characters only to vault to centre stage during the climax. Carl vexed me: at first he is just a paternal figure for Miranda, someone who gave her advice about her role as Nell's surrogate mother. Then, suddenly, he is a super-hacker who has a role in orchestrating the resolution behind the scenes. The plot similarly starts spectacularly and degenerates into a somewhat random collection of related conflicts, none of which receive a satisfactory resolution by the time the book abruptly ends. Much as he does in Snow Crash, Stephenson elects to provide no epilogue for his characters' lives, leaving us to wonder who flourishes and who perishes. Although I don't demand that a book tie up every loose end, I feel cheated when I invest myself in a character only for his or her story to stop when it feels like the conflict is barely concluded.The Diamond Age exemplifies both the positive and negative hallmarks of Stephenson's style. His enthusiasm for technology is evident. His descriptions of that technology, as well as cities and characters, are both full of wonder and witticism. Stephenson enjoys drawing attention to contradictions, contrasting characters' overt reactions with what they really think about a situation, and the result is usually entertaining. And while The Diamond Age, like Snow Crash, depicts humanity as an organism at the society level, it does not entirely feel like a Stephenson book until much later in the story, when Hackworth introduces the concept of the Seed.Ah, there's Stephenson's theme of information as a viral construct that is capable of reprogramming human society. A precursor appears in Nell's Primer, when she arrives in the domain of King Coyote and begins learning about Turing machines that function on a macroscopic level. To Hackworth, the Seed is a new technology, threatening because of the capabilities it grants to its possessor. To Dr. X, the Seed is a paradigm for social order, a blueprint. To both, it means the end of interdependence of the phyles: splinters will no longer rely on the main Feeds or their Sources controlled by the neo-Victorians. In this respect, while I don't think it quite compensates for the disappointing climax, the thematic aspects of The Diamond Age become most interesting just as one's interest in the plot diminishes.There is a CBC radio show, Spark, that discusses the impact of new technology on our daily lives (I listen to it as a podcast, of course!). Rather than a discussion about technology, Spark is aimed at a general audience and focuses on the social implications of technology. The Diamond Age reminds me of Spark, because it too is a long look at how technology (like nanotechnology) affects society. It is a serious meditation on what might happen to society as the Internet continues to evolve, as our ability to manipulate nature extends to the atomic scale, and as our desire to find solutions to waste and environmental problems increases in urgency.Of all his recurring motifs, Stephenson's treatment of humanity as a single organism is the one that intrigues me the most. This is not a new concept within science fiction—Isaac Asimov's civilization-manipulating Foundation series or Herbert's Golden Path spring to mind—but with the rise of memes and memetics, Stephenson's ideas seem timely. Snow Crash explored the idea that information could be transmitted virally, actually compromising a society like a disease compromises an immune system. The Diamond Age focuses more on morality, asking what exactly makes one culture differ from another, and how ideologies are transmitted cross-culturally. Can one hack a society, even one that is not a Turing machine?Although it is tempting to simplify the conflict as one of Eastern-Western philosophies, it is possible to envision two different sides. Rather than East/West, we have two schools of thought about the propagation of culture to the next generation—a timeless problem. How do you ensure children see that your way of living is the best, even though it has obvious flaws? On one side, you have people like Judge Fang and Dr. X, who see it as the duty of the entire society to ensure that people are brought up to respect the social order and contribute in a useful manner. On the other side, there those like Lord Finkle-McGraw, who grasp that there is no reliable way to educate children and simultaneously ensure their loyalty: either you end up indoctrinating them, or they push away from you and rebel. Thus the desire for an alternative, Finkle-McGraw's elusive search for a systematic subversiveness.The Diamond Age frustrated me and fascinated me. While I don't entirely agree with Stephenson's ideas, they are intriguing. Yet often, especially because of the lack of a satisfactory conclusion, the story seems to be nothing but a thin vehicle for the transmission of those ideas—it is all substance, heavy on theme and light on the plot. Stephenson may have piqued my interest, but he has to work harder than this if he hopes to hack my mind.
I get the feeling that Stephenson's writing process goes something like this:Hey, I found a really cool idea here. I wonder what I can do about it....He then writes about 200 pages of really awesome, meticulous world-building, with innovative ideas about, in the case of this book, the possibly uses of nanotechnology and its eventual social ramifications, and then goes, Oh, damn, I'm writing a story, and high-tails it to the end of the book, leaving the reader a little wind-blown and confused. It happened in Snow Crash, where he was playing with the origins of language and the fundamental functioning of the human mind. It happened in Cryptonomicon, where he dove into the murky waters of cryptography and brought up brilliant gems, and it happened here, too.The Diamond Age is, fundamentally, about what would happen, or what might happen, if we really got nanotechnology working properly. How would society adapt if, suddenly, government became obsolete? With the Feed and the Matter Compilers able to create anything out of nothing, the entire economic and political underpinnings of the planet came undone, and people banded together into phyles. Like-minded individuals bonded with each other through shared values and morality, united only by a commonly upheld treaty which, in turn, rested on the new economy that nanotechnology allowed.Within one of the phyles, the Neo-Victorians, one of the more highly-placed Lords realized what was wrong with the world. The problem wasn't the corruption of values of which the old always accuse the young - indeed it was that those values were passed on too well. Children did not elect to join their phyles, they were indoctrinated into them from birth, which made them, well, boring.And so Lord Finkle-McGraw commissioned a great work - The Young Lady's Illustrated Primer to guide his granddaughter to a more interesting life. And had that been all that happened, the story would have been short. But two other copes of the Primer were made - one for the daughter of the book's designer, and another that fell into the hands of Nell, a young girl born into poverty and otherwise destined to lead a life of misery and sorrow.The Primer is a smart book, fully interactive, able to teach reading, science, history and martial arts, among other things. And what it teaches little Nell is how to be great.All of this is quite awesome - there's a great hunt for the Primer, plans within plans and all that. And then, suddenly, a new plot about a technology to supplant the Feed and some kind of Chinese revolution and the whole book runs off the rails.I know a lot of people love Neal Stephenson, and I can understand why. He's an incomparably imaginative man, who is able to find ways to express ideas that some of us couldn't even imagine. He's an heir to the world of that William Gibson and his contemporaries pioneered. He creates captivating worlds and characters and problems without simple solutions.He just keeps bollixing up the endings. Seriously, it's like a whole different story kicks in around page 250. I'm willing to read more of his works, though, in the hope that he's getting his act together....
Do You like book The Diamond Age: Or, A Young Lady's Illustrated Primer (2000)?
Okay, here's what this Stephenson guy did with his novel. He got together a focus group of 25 unpaid, thirteen year old boys and made them puke out as many buzz words in 10 minutes that they could about science fiction. The buzz words had to be something that would palliate the hyperactive endocrine glands of 13 year old males. Stephenson then roiled together this mess with a rag mop and wrung it into a bucket called The Diamond Age: Or A Young Lady's Illustrated Primer.To give you a thin sample of this overreaching heterogeneous brew, I took from pages 461-487 (2 random consecutive chapters) all the words that would intrigue young science fiction fans in the year 1995. This book nails the pimple-faced, horny, just-starting-to-get-facial-hair demographic. I'll have more to say about this list. In mostly chronological order, and exactly quoted from the text:THINGSFaery KingScriptoriumEnchanted ArmiesKing CoyotePrincess Nell The Book of the BookMermaidsDjinnKhanRoyal bloodCarved onyxShock wavesTidal wavesPoison dartRebellionDiscoLying in a puddle of his own urineRevolution ConstableHoplite ArmyTortureNightgownNudityGirl with a whipMatter CompilerAboriginal ShamanSwordKnifeProdigious amount of bloodElevator surfingDojoBooby trapsDr. XShinto templesBarbariansDivine WindNunchuksA mouse armyCowboy bootsCarl Hollywood Fire axeZulu warriorsSkull gunFists of Righteous Harmony200-story buildingRadar scopeBayonetteVomitNight visionIdentical twinsPEOPLE/PLACESNipponeseHindustaniNew ChusanNew AtlantianCelestial KingdomCoastal RepublicIsraelBosnia Outer TribesUrban HomeboysNeo VictorianBoersEconomic ZoneDisenchanted LandLand BeyondWORDSmediatronicphylesmemesnanobladesnanotechThere it is folks. A taste of only 17 pages in The Diamond Age. The other 483 pages are almost exactly the same, but with additional pimply-faced and creative buzz words. At some point there is a 'rainbow' and a 'pony' and 'Carmen SanDiego,' and in several places there is a 'unicorn,' and characters named 'Duck, Dinosaur, Peter Rabbit, and Purple' so even young girls may find some traction herein.I am not an objective critic of science fiction because I don't read enough of it. I know it's not supposed to be real. I got it. But I want to dabble in the genre to be a more well rounded reader, and this book won the 1996 Hugo & Locus Awards. So, bringing no prejudice into this book except an award winning expectation, I was greatly disappointed. Just by the list above you can see the author was all over the place, like birdshot, with his themes. He's forward in time; he's backwards in time; he's science; he's fantasy; he's grounded in 1995 technology with some small steps to near future, coincident with great leaps into distant future; he's mystery, drama, fable; he references too many cultural items from the late 1980's and 90's, like dreadlocks, and homeboys and "bitchin' dude." He suddenly introduces a whole new technology with no backstory in order to press through a few lines of text. If Stephenson needs to invent a word to impute something that sounds tech-y, there's numerous prefix + suffix mash-ups he can turn to (nano, micro, mega, giga + blade, gun, saw, tube, villi)--so that it's possible to create "Nanotechagigaswordebladetubule." There's a slow, building progression toward a denouement for the several separate threadlines, but toward the end it's rushed, short, and unfulfilling.And please, how many times in 100,000 appear the words: anfractuous, ramifying, and fractal? 15. Really? Not buying it. Good words, but way overused.I wish there was a scatter plot of science fiction genres along an x-y axis, because for my next science fiction book, I'd move a couple values to the right, and up one.1.5 stars rounded up. I credit the second star merely because Stephenson had a form and stuck to it throughout. He never wavered. The narrative is way too schizoid for me, but it is a distinct style with a very mature--despite being teenybop--vocabulary.New words: afflatus, lacuna, farrago, cyalume, besprent, sinter, decussate, demesne, fléchette, neap tide.
—Jason
The Diamond Age or, A Young Lady's Illustrated Primer is the novel that, along with Snow Crash, put Neal Stephenson on the map in the mid 90's. Stephenson has since written a string of imaginative, thought provoking books that all touch on some aspect of the nature of information and it's movement. While it's never stated, Diamond Age seems to be set about 50 - 75 years after Snow Crash.The first part of the title is a reference to the names that anthropologists and historians use to describe the technological ages of humans: Stone Age, Bronze Age, etc. Some believe that we will one day have the ability to create objects and devices at the atomic level. One result of this might be the ability to synthesize carbon based objects which use the crystalline structure of diamonds. This may yield materials that might be, among other properties, extremely light and rigid. Hence, the Diamond Age.Like the other his works, Stephenson touches on a wide variety of subjects. The future according to Stephenson includes the perfection of nanotechnology, obsolescence of nation-states, distributed consciousness, and an emphasis of culture over ethnicity.Set in this world is the story of John Hackworth, a leading nanotech engineer, and Nell, a young girl of humble birth. Hackworth is commissioned to create the Young Lady's Illustrated Primer, a futuristic book which is capable of tailoring its content to the reader's interests and abilities. Nell's life is changed dramatically when her brother gives her the primer after mugging Hackworth and stealing a copy of the Primer.Diamond Age was not an easy book to get into initially. I read the book over the course of two months, with other reading interspersed. I never really lost interest, but it took awhile before the book really grabbed me. Stephenson writes with a focus on narrative. There is relatively little dialog, and the characters are not as fully developed as some might like. In spite of these things, the book is well worth the effort. The stories of Hackworth and Nell are compelling, and the vision of the future put forth is like nothing I've ever read. Unlike most science fiction, Diamond Age and Snow Crash contain a future world that could believably exist in our lifetime.
—Mike Reiring
Is it possible to feel nostalgia for a place in the future? The crowded, multi-factioned, multi-leveled city of Shanghai and nearby Pudong made me miss my hometown terribly. Stephenson's descriptions of brightly lit Nanjing Road and small, dim, alleys of hawkers was so spot on. The mix of high technology, the sophisticated neo-Victorians, and the Confuscians made a confusing but ultimately satisfying story.I came to The Diamond Age with a vague idea of what the book was about. Like previous steampunk books I read, there was a combination of neo-Victorian sensibilities, technologies different than what we're used to, and a huge disparity between classes. While that may be what gets the book labeled as 'steampunk' by some people ,it surpasses that label and has so much more.It has cyber-punk technologies. It has dystopian characteristics. It's part adventure story, part riddle, part allegory, part detective story, and best of all, it feels epic without losing its main characters in too wide of a scope.Reading Stephenson is always hard for me but I always enjoy it. Part of the difficulty lies in the fact that his books are not easy to skim through. Go too quickly in The Diamond Age and you end up in an underwater rave wondering what the heck just happened.The book was definitely worth reading for any fan of the author. It certainly is my favorite book of his so far. My only complaint was that Nell was too perfect. While it could be said that it the Primer had something to do with that, if I take a step back and look at the character, her lack of faults is unbelievable.Other than that one little complaint, I loved every part of the book from the heart-wrenching stories in the Primer to the action-packed lead up to the Mouse Army. I also liked all the mentions of tea.Protip: Fountain pens were mentioned at least nine times in this book!
—Louise
