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The Bang-Bang Club: Snapshots From A Hidden War (2001)

The Bang-Bang Club: Snapshots from a Hidden War (2001)

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Rating
4.17 of 5 Votes: 4
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ISBN
0465044131 (ISBN13: 9780465044139)
Language
English
Publisher
basic books

About book The Bang-Bang Club: Snapshots From A Hidden War (2001)

A perspectiva de Greg Marinovich é pessoal e implacável.Sem dúvida falta uma narrativa mais fluida, mas seus autores (João Silva foi colaborador) são fotógrafos e não romancistas, e por isso (ou ainda assim) o livro vale as cinco estrelas.As histórias oferecem e capturam de forma sincera os últimos anos do apartheid na África do Sul até o momento da eleição de Nelson Mandela e seus desdobramentos políticos e, principalmente, as conseqüências emocionais sofridas pelo "clube do bangue-bangue".Greg não nos poupa das muitas questões morais acerca da função de um foto-jornalista; muitas vezes ele se pergunta (e, por conseqüência, nos pergunta) qual é a linha tênue entre o trabalho, a exploração da notícia, a ajuda que se deve a um ferido etc?Tais questões ganham ainda mais relevância quando é narrada a história e polêmica acerca da foto de Kevin Carter que ganhou o Pulitzer - http://bit.ly/cwff9A. Essa imagem e sua repercussão acabaram sendo atribuídas ao seu suicídio, mas no livro isso é desmentido.Ela não foi, ainda que atormentasse seu autor, o único motivo da sua decisão de tirar a própria vida.Para mim, o livro é excelente porque seus autores não procuram oferecer resposta alguma, não tentam analisar os fatos políticos sofridos, não querem acalentar em nada a nossa desesperança. Ele não se resolve simplesmente porque é um desabafo, uma matéria. Parece que, como fotógrafos, eles procuram somente registrar e expor suas experiências. Nós que sejamos capazes de tirar nossas conclusões com o que nos é oferecido.É um grande livro.

This was truly an incredibly excellent read. The story, time, and events taking place in South Africa was truly riveting to learn about. Although the topic was quite heavy (as it takes place during the apartheid), the story of these bang-bang photographers were never romanticized or censored. The book was written in a very raw and realistic tone that allows the reader to begin to realize how this difficult period has affected the citizens of South Africa in so many different, intricate levels. The interesting twist though is the fact that although the photographers were all South African, they were also people from the outside looking into the difficult events unfolding in front of them, while at the same time, living through them as citizens of South Africa. It's definitely an interesting perspective to learn about it. Beyond that though, to learn about bang-bang photographers and their work is not only exhilarating, but also captivating. Like with some professions, it definitely takes a special kind of person to be a bang-bang photographer, and that person must possess a strength like no other. This is definitely a book I highly recommend to anyone interested in world history and/or photography/journalism/photojournalism. On a different note though, I am hesitant to watch the film adaptation of this book. I don't think it would do the book and the photographers justice in my opinion.

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It was hard to rate this book but in the end, chose 5 stars because it gave me a view of South Africa's end of Apartheid, the political aspects and the photojournalists recording it. It was heart-wrenching to read at times and the photos intensified it.The Bang-Bang Club comprises of four South African photographers, Greg, Joao, Ken and Kevin who risk their lives going into violent townships, dead zones, hostels in order to document what was really happening there with their cameras. By working in these conditions, they form a brotherhood with a reputation as "conflict photographers" that a 1992 magazine dubbed them 'the Bang-Bang Paparazzi' that was soon changed to the Bang-Bang Club. Greg and Joao gives the reader a brief history lesson on the formation of South Africa's Apartheid and the repercussions which I knew absolutely nothing about...until now. This book gives us a front seat view of the photojournalists covering the bloody struggles for freedom and democracy. We learn the names of a few of the people involved, affected by and live in the townships, in the war zones. Greg and Joao give the readers an honest and highly personal look at their journey, from when they first picked up a camera and their drive to capture history in their own backyards (and in some cases, beyond). These brave photojournalists face difficult moral dilemmas in their roles as messengers - to bring the realities of war to people like me who are lucky not to live in that environment. These extremely brave souls have my heart-felt respect.
—Lisa

I try to always read a book before I see the movie but until I saw the movie I did not even know about this book. The movie was almost exactly like the book which either sings very high praises for the movie or means the book was just average. I really loved reading the book and it made me more informed and educated about the events surrounding the end of apartheid. If you read the book or watch the movie you will gain almost the same in the end. The saddest part to me was the the reporter that ends of committing suicide was obviously bipolar and the drugs made this worse. Maybe if those around him had realized that he had a mental illness AND a drug problem he could have been saved. I am not saying that they were responsible for him but I think it should have been something explored.
—Arwen Fowler-jonsson

There's a pre-req for this book: a keen intellectual interest in the politics of South Africa. In order to contextualize the cowboy element of the photojournalists comprising the Bang Bang Club [Jaoa, Greg, Ken and Kevin] the author goes into DEEP historical aspects of Apartheid and the unraveling. He has to I think to articulate exactly how violent things are and the huge risks whites (even born and bred in SA) were taking by going into the townships to shoot these photos. The information about the townships and the information on Apartheid are mind-boggling in their complexity and destructiveness. He writes it well and makes it as accessible as possible, though parts are heart breaking to read. I kinda found the photojournalism aspect taking a back to seat to all the fucked up violence and puppetry of politics gone horribly wrong.Pulitzer prizes are won but the life these guys were leading at this time is a hard one to out run. That any of them made it through is a testament to toughness.
—Elizabeth

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