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Saville (1978)

Saville (1978)

Book Info

Author
Rating
3.39 of 5 Votes: 1
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ISBN
0380018896 (ISBN13: 9780380018895)
Language
English
Publisher
avon books

About book Saville (1978)

There was a very strange feel to this book. It felt very removed from that which it was narrating, the sense of alienation which the main character, Colin, feels by the end, being a part of the reader-experience throughout. That isn't to say I didn't enjoy it. I did, actually. I rather got into reading it. It gave a view into a world that I didn't know, but that became increasingly familiar throughout. It was a world that I could imagine my Grandparents being aware of, something they would have known and recognised. This environment and the changes which it went through were evoked in a great deal of clarity.But I am afraid that the same cannot be said of the characters. They seemed to remain static. Colin only seems to age by virtue of getting older and the world around him changing. Perhaps this is something to do with that alienation cited before – because I was not immersed in the interior of the character from the start, I found it difficult to find any evidence of character development. I found myself in the same position of puzzlement that Colin did – like him, I did not understand his character the way others seemed to.t'“Ever since you were a baby you've kept things to yourself.”tShe waited, her hands poised in the bowl, her head bowed to the sink.t“I never thought I'd been secretive,” he said.t“Not secretive.” She tried to smile, her face shadowed in the corner of the room. “I mean the things you feel you can never express. People can take advantage of that at times.”t“Oh, I've never been aware of it.”'He doesn't understand himself – and neither do I. There didn't, to be honest, seem all that much to understand. Neither do many of the other characters seem to develop much. By the end of the book they have become caricatures. Their characteristics just become more and more pronounced. But Colin does not. He remains just this 'he', his only real feature a slight puzzlement. It is stated that he changes, that he gets angry and goes off the rails, but none of this comes across in the characters at all. Towards the end of the book there is a strange episode which seems to suggest that Colin is some kind of reincarnation of his deceased elder brother Andrew, or at least an aspect of him. This is a very odd suggestion in a book which has been based so much around the harshness of real life, but perhaps an appropriate thought for someone as (apparently) poetic as Colin. I can't see him as a poet, to be honest. He lacks the emotion.

A very sincere, old fashioned novel, that I still found quite enchanting for about two thirds of its immense lengths. The descriptions of the hard life of miners,the disappointment and intellectually stifling attitudes of a small village, growing up during world war two, and the confusion of people divorced from their social classes by education was all very well done. I give it less than five stars because when the main character reaches adulthood he becomes a detached, unlikable, character (which is fine enough as a literary conceit I suppose), and more damningly all the characters start making long didactic speeches to each other. Besides the story the book is retro in a few way-the main character trying to pursue a muddled individualistic ethos would be almost expected now but he exists in a universe where communal observation and obligation were still the norm.Also, my copy was a paperback from the 1970s, when every serious novel was marketed like it was The Thorn Birds.

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This novel epitomizes one of my favorite quotes:"Literature is the art of discovering something extraordinary about ordinary people, and saying with ordinary words something extraordinary." ― Boris PasternakReading this book really is an extraordinary experience! I found much of it to be very comforting, very homey. I found other parts to be quite disturbing. This novel affected me in ways that I'm still trying to sort out. I suspect this is a story that I'll continue to think about, to try to come to terms with it, for a long time.
—John

This is a book that is going to stay with me for awhile. I enjoyed the minutiae of Saville, but I also found the tone to be just so well handled. It is a tone of bleakness, frank existence, and of struggle.Struggle to get out of a place, struggle to make others see a place as you see it, struggle to seek approval, struggle to give approval, struggle to please. This was what really struck me most, was the parent-child dynamics being played out. Michael Reagan and his violin, Batty going to jail (just as was expected of him), Stafford doing as he pleases because he comes from money, and then we have our Saville. Colin's parents put him through school to give him a way out of the pit, to give him hope, and more opportunity than they had. Plenty more opportunity than his grandparents had. And in the end, as Saville tries to find his own identity and pressure his brothers to do the same, he is convinced that rather than doing him a favor, his parents have forced him in to "prostitution." His sense of duty to the family, supplying wages and staying at home, has turned to bitter resentment that he claims he has no way out of.So, when he finally does leave, is it permanent? I don't see Saville's departure lasting long...As for the other characters in the novel, I was especially intrigued by Michael Reagan and his behaviors, especially in to adulthood. While Colin's parents supported him, MR's father ridiculed his violin playing and berated his mother for supporting him, leaving Michael with no real sentiment or attachment to them as they fell ill. Oh Saville's women... It seemed that he was closer to his mother than his father, and he has this righteous sense of propriety when it comes to his brother's behavior with women, but then Saville turns around and runs off with the easiest girl on the block... and then finds himself in bed with a married woman. All in all, I found Colin to be just... spineless when it came to relationships. Throughout the novel, there is a never-ending sense of people entering and leaving Saville's life. They may return often, they may not, but he is always able to shrug them off and walk away... By detaching Saville from the pit, have his parents prevented him from having any real ties to anything?
—Katy

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