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Reservation Road (1999)

Reservation Road (1999)

Book Info

Rating
3.55 of 5 Votes: 2
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ISBN
0375702733 (ISBN13: 9780375702730)
Language
English
Publisher
vintage

About book Reservation Road (1999)

Sometimes I feel a masochistic urge to wrap myself up in a totally depressing book. When these moods come on, give me Russell Banks' supremely morose "Affliction" or "The Sweet Hereafter" and let me wallow in the protagonists' misery, if you please. When I read about the subject matter (which see in the semi-spoiler below) of John Burnham Schwartz' "Reservation Road" I figured it would fill the depressing bill nicely.Well, it's got the depressing theme mastered: nearly all of its 290 wispy thin pages are devoted to grief, mourning, and guilt subsequent to a tragic accident that happens in the first chapter. I guess it's not really a spoiler to reveal the accident: when a couple and their two kids stop for a pee break at a ramshackle gas station on Reservation Road in sorta-rural Connecticut, the eldest child, a 10 year-old boy, is run over a car speeding around a curve in front of the station (whose driver fails to stop). The rest of the book alternates between three POVs: the father's, the mother's, and the guy who drove the car that struck the boy. And that's basically about it. The parents grieve, the other dude wrangles with his guilt, There's not much substance beyond that. Fortunately, the story doesn't need much more embellishment than that, but there's really nothing to elevate this from a somber mournfest into something more substantive, less dour-one-note. As a parent, I totally can imagine the wretchedness the parents must've felt after losing a child in so horrific a fashion; it would be any parent's worst nightmare. After 150 pages of Mourn, Grieve, Guilt, though, the book starts becoming an insufferably painful slog; it's redeemed (kinda) when, by sheer Hollywood-esque coincidence (the book reads more like a screenplay than a nuanced novel) the lives of the parents and the rogue hit-and-run driver start to cross paths...predictably (though not unsatisfyingly) so.***SPOILER ALERT*** (sorta)I learned of this book indirectly from an a tiny Entertainment Weekly blurb touting this book's recently released sequel "Northwest Corner". Part of the enjoyment I got from mucking through all that depression was wondering how the hell Schwartz was going to create a sequel out of this dour mess, when it seemed the three principal characters were all careening out of control so badly they were one step away from killing themselves or earning a one-way ticket to the loony bin. While I didn't really enjoy this book all that much, Schwartz intrigued just barely enough to try to slog through the sequel. I might have to wait awhile, though before I attempt that one (gotta cleanse the "palate" from all the yuck, first).

At the beginning of this book, ten-year-old Josh is killed in a hit-and-run accident. The subsequent events are narrated by three characters -- Josh's two parents (Ethan and Grace) and the hit-and-run driver, Dwight. Grace sinks into a deep depression that distances her from her husband and surviving daughter; Ethan copes with his loss by nurturing a thirst for revenge on the anonymous driver and being belligerent to the police officers who simply aren't doing enough to find this driver. Dwight, a tortured father to his own ten-year-old son, has a long history of poor impulse control which has already ruined his marriage, threatens his relationship with his son, and has now placed him in this situation where he simply cannot decide whether or not to turn himself in and face the consequences.This book is written well, with complex characters and moral ambiguity. For all my sympathy for Ethan, I kept wanting to shake him and tell him that finding the driver and exacting his revenge would not bring Josh back. And while Dwight was clearly wrong for leaving the scene, Schwartz does a good job of helping you understand his actions in their larger context, if not exactly sympathize. So why only three stars, then? Well, first of all, as you can imagine, this book was damn depressing. Maybe now that I'm a parent I have far less stomach for premises like these. Additionally, the book's slowness and wallowing in grief was reminiscent of A Death in the Family. Schwartz did justice to the intensity of the grieving process, but it was a bit too much of a good thing for me. The premise was depressing enough without having to feel the unrelieved pain for 200 pages; comic relief, or any other kind, was entirely absent. Finally, I didn't see what including Grace's viewpoint added to the story. I didn't find her to be a particularly interesting character in her own right, and I didn't feel that she served much purpose in moving the plot along.Bottom line: interesting premise and decent execution, but somehow didn't do it for me.

Do You like book Reservation Road (1999)?

This book tried too hard I think. Tried to be heart wrenching, tried to be viscerally real... Tried too hard and fell flat. I picked it up because the sequel sounded good. I don't think I'll be reading the sequel.In a seriously depressing beginning, a man rushes home with his ten year old son and hits another man's ten year old son - killing him- and in a moment of panic drives off. That's the plot. Nothing else of note happens. Predictably, the family that loses the son cracks - the dead son's mother ceases to function, the marriage suffers, the remaining daughter flounders....the killer is guilt stricken, his son confused... It's all told in short chapters from different character's perspectives that really felt like it was designed for a movie script, yet falls short on empathy. I simply didn't care.I felt no connection to any character. While I understand the feeling of being completely lost at sea after losing someone, and also of being overwrought with guilt, I cannot relate to the complete lassitude of all players. "Victim" doesn't even begin to describe their complete and utter helplessness in the face of tragedy. They *all* wander aimlessly while everything they know falls apart around them, never doing a thing to help themselves. Of course the families of the dead child and the killer end up intertwining - you knew they would - in too-convenient and contrived to be stressful/wrenching sort of ways, leading to the grief stricken father figuring out who dunnit, and to a too drawn out ending of "will he or won't he" seek revenge. Overall the book was too heavy and not very well executed - there were moments of pain in the descriptions of grief, but overall it was just depressing and tried too hard to elicit an emotional response...and at least for me, completely failed. I really didnt care, and only finished it because I hate quitting books.
—Amy

If ever there were two people in the world who needed either counseling or a good chest-beating, accusation-laden, finger-wagging, knock-down, curse-ridden fight, it's Ethan and Grace. I get that what they went through was the worst thing you can experience as a parent, but they were so content to let that consume them, and that made this story hard to read.Beyond that, Dwight is just an ass. There is no black or white here. He's self-absorbed, angry, obnoxious and violent, and he's in the wrong for the entirety of the book. He lets his issues with his ex-wife, his son, and his work cloud his thinking, and never once tries to redeem himself.The only characters I actually cared for in this book were Sam and Emma. Sam, forced to be older and wiser than his 10 years, and Emma, forced to live in a home where her parents have lost themselves to grief, where she's become the non-child in the face of her brother's death, and where she's made to be the strongest of the Learner family.I struggled so with the complete lack of caring on Ethan and Grace's part. At some point, don't you have to remember your other child? Don't you realize your responsibilities as a parent, and as a spouse? Don't you step back and say, "We might need some help here"?I know this is going to sound terrible, but I was also frustrated by Josh. How awful is that? This kid - this peripheral character who is only briefly in, but manages to drive the entire story, this child who was taken so young - this same kid manages to frustrate me. But maybe it wasn't Josh I was frustrated with. Maybe it was Ethan, and his inability to reach Josh, or his lack of trying.This was written well, and I liked that the chapters flipped between the three major adults in the story, but I would have liked a little more gumption from Ethan and Grace, and something a little more redeeming from Dwight. I shudder to imagine what the future years hold for Sam and Emma.
—Jessica

I find it hard to put into words how I feel about this book. It is without a doubt one of the most moving portrayals of grief and love that I have ever read. Imagine seeing your precious, irreplacable young son mowed down in front of you. Now imagine being the driver that did it. In our wildest musings we could not even come close to the guilt and sorrow this would throw down on our lives and everyone we meet from that second forward. This novel, written in the narratives of Ethan and Grace, who are the parents of Josh and Emma, and also Dwight, the driver, is just so close to perfection in showing us the fractures in our hearts and minds and marriages from just such a thing. The story really focuses on the two fathers, Ethan and Dwight. They both try really hard at being great dads, really hard, yet for Ethan it comes natural and for Dwight it is the biggest struggle in his life, his own father was no role model. There is a section in the book that had tears streaming down my face where Ethan's colleague is talking to him about what a great dad he was, how other kids wait for their fathers to just turn and listen and nod, and how he did it always not realising the acknowledgement he was giving, it was so touching.And there is Grace, at times I felt so unsympathetic to her, I mean she still has Emma to care for and nurture. But the grief overwhelms her as does her resentment to Ethan and she falls into a great depression over the loss of her son whom she carried in her arms whilst she planted their garden. The author does a great job of showing how all these little things in their lives, the day to day things that before this accident never meant a thing, and now they seem to represent everything. For instance, Grace gets out of bed, her side is thoroughly dishevelled, yet Ethan has pulled the covers right up to the headboard, almost like he laid there and slept peacefully, and she hates him for it.There is so much to love about this book, so many notes I could make but none of them can accurately portray how brilliant this novel is. I just loved it, all of it, even the ending.
—Jodie

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