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Please Don't Come Back From The Moon (2006)

Please Don't Come Back from the Moon (2006)

Book Info

Genre
Rating
3.63 of 5 Votes: 4
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ISBN
0156031671 (ISBN13: 9780156031677)
Language
English
Publisher
mariner books

About book Please Don't Come Back From The Moon (2006)

Please Don’t Come Back From the Moon is a coming of age story about breaking familial cycles and facing our own loneliness.Michael the protagonist lives in the small working class suburb of Detroit, Maple Rock. The town is inconsequential and is just like any other town except that all of the men have gone to the “moon.” At least that is what Michael and the town call the random voluntary disappearances of their fathers and husbands. Michael and his friends grow up around the gaping hole they all feel at being abandoned by their fathers. As they themselves grow into men and fathers they fear following in their fathers footsteps, and they must find ways to be the men their fathers never were. This book reminded me of A.S.King and her book Please Ignore Vera Dietz They both have elements of magical realism in them, and they deal with parent-child relationship. Like Vera, Michael wants to break the cycle of his father. The whole concept of “going to the moon” is both sad and magical. The writing is really good as well. It flows smoothly and realistic. The book definitely focuses on the issue of loneliness among other things. Michael want to be a writer and writing helps him deal with the things he doesn’t understand including loneliness. He wants to break his father’s cycle, but feels trapped. This is a story about growing up and the issues that we go through within ourselves to be our own person and not copies of out parents. The writing is witty and insightful. I felt sad and hopeful for Michael and his friends and wished them well. Overall a very good read with great writing. I recommend it to fans of A.S. King.

Beautiful, accurate, frank book about the cloying feeling of being half-conscious in your own life, of looking at everything through an unwashed pane of glass and realising that while the cast might change over the years the scenery is, in fact, the same. The year Michael Smolij turns 19, his father, and all the fathers in his blue-collar 'burb of Detroit, disappear. Myth has it, they've gone to the moon. As the years pass, the economy continues to run the gamut from crap to awful, and Mikey and his friends move into the roles their own fathers wandered away from. Now they too begin to feel the pull of the moon. It's a feeling that seems a little like vertigo - like as much as they know it will be worse if they leave, they feel the pull of the other, more dangerous, lonely road - and a little like disappointment, self-hatred and fear, as Mike realises you don't metamorphosize into a father or a husband, you just continue to be who you are, and the pressures mount like passing time. This is a novel that could appeal to a lot of people - and I read it within a couple of days, and until my bath got cold. I received this for Christmas, and I asked for it because I've read the author's My American Unhappiness and loved it. Check it out!

Do You like book Please Don't Come Back From The Moon (2006)?

I'd be lying if I said I thought this was a perfect book, but I do think that it is exactly the kind of book that needs to be more widely read (based on the jacket quotes, it could hardly have been more praised, or I'd say that, too). It moves, it has believable characters with understandable motivations, it's a pleasure to read, and it doesn't try to draw attention to its writing style or stand on one leg pontificating about some high falutin academic bullshit. It's effortless in its storytelling and well crafted without being full of itself or condescending to its audience, and I find those qualities to be both too rare and too under appreciated in modern fiction books that aren't filed under genre fiction.
—Shek

This book was marketed as Magic Realism. It is not Magic Realism, not even if you have a rediculously liberal idea of what that term means. It is social realism that explores the power of the main characters personal mythology concerning his absent father. Magic realism is a term that gets thrown around too much these days, which is pitiable, because it is an awesome term. It describes its particular "ism" farm more accurately than most. However, it gets attached to a lot of things that don't qualify. This book for example. A brief definition (sorry to rant): In magic realism, fabulous things literally happen but they are not treated by the narrative as such. Narrative authority refuses to justify the inexplicable. These events are literal in the context of the story and the reader is asked to accept them as such. In this book, the fabulous things are not literal events. They are metaphorical, even in context. That said, it's still a very readable book I would recommend to most of my friends. Especially the female ones. Bakopoulos creates characters who are both real and likeable without being Lowest Common Denominators, as is the case with most contemporary fiction overly concerned with characters to whom the reader can relate. The situations are compelling and the pace is pitch perfect. Bakopoulos also manages to confront some uncomfortable contemporary political realities without alienating his audiences, something that seems to be rarely attempted, and accomplished rarer still. Read this book.
—Adrian Stumpp

This book appeared mysteriously in my pile (perhaps it follows its plot and came back from the moon) and when there was nothing else to read I finally decided to start it. It's an original plot - a small town in middle, depressed america where unemployment is at an all time high where all the fathers one by one disappear in the night. The story follows one son left behind who believes (like his mates) that the fathers have all gone to the moon. I liked the writing and quite liked the main characters but felt the book didn't live up to the front cover 'raves' (an original and brilliant first work.'
—Camille

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