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Last Orders (2001)

Last Orders (2001)

Book Info

Author
Rating
3.67 of 5 Votes: 2
Your rating
ISBN
0330489674 (ISBN13: 9780330489676)
Language
English
Publisher
picador

About book Last Orders (2001)

A group of friends get together shortly after a funeral in order to act out the final wish of the recently deceased, one Jack Dodds, Master Butcher, which was to scatter his ashes off of Margate Pier. As you would expect, the mourners have a tangled past together, full of shared and separate secrets, life-long grievances and regrets. Begun during WWII and cemented over the decades, much of the time spent down 'the Coaches' in Bermondsey over a few pints, the friends' lives have impacted on each other for good and bad, their fortunes waxed and waned until now, for the first time, they all come face to face with the reality of death and loss. Ray is the office worker and inveterate, though lucky, gambler. Thought to have had the brains of the bunch, he has a daughter in Sydney, Australia, and a divorced wife in Sydenham. Vic is an undertaker, a relatively wealthy 'steady Eddy' with two sons due to take over the business. Lenny, a 'stirrer', runs a fruit and veg stall and loves the sauce. Amy is the widow, grieving the loss of her husband, yet with a tragic reason to have harbored a bitter resentment against him. Then there's Vince, the adopted son of the deceased, who doesn't want to be a butcher like his father. Vince bails out on Dodd & Sons, becoming a mechanic and ending up as a prosperous second-hand car dealer. The strength of Swift's story rests in a combination of the prosaic cockney patois which informs the alternating narratives of all the characters, with an adroit sequencing of scenes from their pilgrimage to Margate alongside poignant scenes from their past told in flashback. Idiomatic jingoes keep popping up to encapsulate the various characters ('nice bit of topside misses', 'WincantonWolverhamptonYork'), but there is never a hint of patronization as Swift sustains his tone to such a degree that the tale appears to tell itself.Life, death, love, hate, the legacies and mistakes of one generation to the next- you have to admire how Swift manages the loftiest of themes to be so admirably served by language of the lowest sort. It's a bravura performance by the writer, never once succumbing to the temptation of reaching outside the confines of the limited voices he chose.And ultimately, it's all about the freedom of choice. How you live your life, how others will remember you once you're gone. As Lenny says about children: "We don't own 'em, do we? Even when we own 'em, we don't own 'em."

This begins: “It ain’t like your regular sort of day.” Not exactly “Call me Ishmael” but you have to start somewhere. A little workshoppy, but there’s some promise there. Perhaps it could turn into a one-day, colloquial journey through themes and characters.But then again, maybe not. In a few brisk chapters we have encountered (the word met suggests more purchase than we are given) Ray, Jack, Sue, Sally, Vince, Vic, Lenny, Amy, Bernie, Brenda, Joan, Mandy, Carol and Charlie. Was there any need to introduce us to Bill, 150 pages in? 150 pages in and I have to furrow my brow to be certain who’s the mother, who’s the daughter, who’s married to whom, and who’s the dead guy. Workshoppy. Yes, I think that’s the appropriate word here. 150 pages in and you can tell that the dead guy wanted his ashes tossed by his friends. But they have to travel and they have to remember things about themselves, and about the dead guy. 150 pages in and you can already tell there looms some larger secret, but one that will be held just far enough away from us to drive us toward that teasing denouement, in lieu of, say, plot. 150 pages in … and I don’t really care anymore. There was one scene where Ray's daughter tells him she is following some man half-way around the world to Australia. I felt Ray's loss. I know that ache. That is why "Old men get pissy eyes." But that moment was soon obscured by the next brief chapter where the reader must sift the pronouns to see just who it is he's writing about now.I have reading friends who swear by Graham Swift. And the Booker people sure like him. I've tried 2 1/2 books and I give up.

Do You like book Last Orders (2001)?

Full of deceptively ordinary people with their little adventures, secrets and compromises, truths and lies, uninteresting lives and professions, and the very language hey speak in; 'Last Orders' brilliantly captures life few books ever manage to. Those are the people that you are likely to meet in your life - butchers, car dealers, insurance agents etc. The things they will do for their families and friends which show their character and courage will go unnoticed by the rest of the world.Awesome as the book is, it is difficult to read - despite the very simple story. You want a character guide in your hand before you start it - book launches into story with out making any introductions to its characters. It doesn't help that the story is narrated by different characters and keeps on jumping back and forth in time.
—Sidharth Vardhan

As with Waterland, Swift has, again, bypassed my brain and gone straight for my heart; that is, I felt this rather than understood it. And, as with Waterland, I'd feel dishonest giving it four stars but don't doubt that it'll get there on a second reading. He has a real talent for making the mundane beautiful.I have been close to encountering this story twice in my life. I distinctly remember nearly buying it back in the 90's based purely on the (pint glass) cover, but this was probably more due to a thirst for beer than for good literature and, being on a student budget, I chose to spend my money on the real thing rather than a picture of a pint. (What a cover though...)Then a few years later, all memories of the book-never-read having vanished, I got it out on DVD based on the reviews and the cast, and the bloody thing didn't work (but of course it worked on the fancy schmancy machine the smug buggers at Shawlands Global Video had, meaning I didn't get a refund. Grrr...).Still, had I seen the film, I probably would have had no patience for the book. And I definitely would not have been ready for it in my early twenties. You need a wee bit of life behind you to love these blokes. So there's serendipitous timing in everything.Coincidentally, I've recently been wondering if the same thing is true of people. Let's ask Raysy, shall we?"I suppose two people know when something's going to happen, even when they're not so sure it ought to and they don't know how they're going to bring it about and they're as afraid of it as wanting it. But they know if it's ever going to happen, now's the time."OK, cheers, Raysy.
—Karen

Last Orders is a seemingly simple story about very complex relationships. Jack Dodds has made a last request to have his ashes scattered at sea. The novel takes us through that day as Jack's friends gather in the pub and set off to fulfill his wishes. Over the course of the day, we learn about their friendships interwoven with individual and collective stories. I was caught off-guard by the subtlety and layers of the characters. The dialogue was remarkably nuanced with all the subtext you would expect to find in relationships that have been in play for decades. There are old resentments, guilt, and betrayals that have lingered, but carefully tucked away for the sake of friendship, though they are always just under the surface. When a favor is called in, none of them hesitate to use these secrets to his advantage. Underneath is a fierce loyalty that supersedes all.Sometimes I found the voices of the characters too similar, making it difficult to differentiate between them. Because the entire novel rides on understanding the nuances in their relationships and their pasts, this created a barrier to the story for me. I stuck with it though and it did get easier as I picked up on the cadence of their speech patterns and became familiar with the characters. There is a movie version which would be much easier to follow if for no other reason than the visuals will help you keep everyone straight. This novel isn't filled with big plot points or an intricate storyline. The characters don't seem to have any revelations or make any sweeping life changes, but it felt honest and true and makes you question what it means to have spent a life well lived.
—Jacquelin

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