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Hollywood Animal: A Memoir (2004)

Hollywood Animal: A Memoir (2004)

Book Info

Author
Rating
3.6 of 5 Votes: 5
Your rating
ISBN
0375413553 (ISBN13: 9780375413551)
Language
English
Publisher
knopf

About book Hollywood Animal: A Memoir (2004)

Hmmm. I'd say five brilliant stars for all the parts that displayed truth and raw emotional honesty -- meaning all the chapters that showed him in Cleveland as a boy and teenager. The authenticity of his dear mother getting dressed up in cocktail attire just to eat a simple meal at a diner, or his father saving all his hard-earned cash to buy the young Joe a bad-ass car were carefully and lovingly drawn (Eszterhas is a shockingly effective writer when he has a mind to be). But a big negative 850 stars for the rest of the Hollywood ego maniacal nonsense. Joe Eszterhas manages to portray himself as an arrogant pig in nearly every instance. Baffling, since he's the author, that he doesn't consider his ego to be a character flaw even after the fact. What are you supposed to feel when reading that except pity? And what came out of this mess? Um, Showgirls. It's admirable toward the end of the memoir when he has the guts to leave Hollywood and raise his four young sons outside of that bubble. His humility when forging conversations with (the actor) Jeff Daniels is apparent as well, and you think he's learned something after all. Still, I am left wondering if Eszterhas has done a noble thing in leaving, or has he just beaten Hollywood to the punch, running like hell before they had a chance to call his bluff? I'll never know, and I doubt if he does.

It's a shame Joe Eszterhas and Russell Crowe never crossed streams. The resulting throw-down of wrong-headed self-righteousness and noble savagery would have been manful and awesome and totally not gay to behold. That imaginary near-miss notwithstanding, there's enough Social Darwinist star-fucking and petty industry score-settling between the covers of Eszterhas' doorstop to offer some schadenfreudelicious pickings if you're willing to wade through the sneakily index-less, haphazardly time-shifting free-associative text. The chapters recounting Eszterhas' childhood are helpfully labeled "flashback" and may be skipped entirely. (PS. Joe, if you ever Google this, please don't punch me or even threaten to do so in a sternly worded, manually typed letter. I will weep like a girl and we'll both be embarrassed.)

Do You like book Hollywood Animal: A Memoir (2004)?

Fascinating memoir from a fascinating human being. Joe Eszterhas is the extreme example of the badass screenwriter who was more willing to tell you to f*ck off/break your neck if he felt you were trying to... well, f*ck with his words. That's all you have when you're a writer and you have to stand up to what you believe in. Even if the threats come raining down. You get to get inside his head as he tells you his truth of working on his famous movies like Basic Instant or the infamous failures like Showgirls. And you get to see his early life as he slowly develops into the persona he is well known for. Every human being is flawed but not every human being is daring and straight talking like Joe Eszterhas. Definitely a damn good read if you're a screenwriter too... or want a entertaining read about dirty parts of Hollywood. He also has another book I was recommended to read, called: "The Devil's Guide to Hollywood: The Screenwriter as God!" Definitely got to check that one out.
—Jim Truong

He's a piece of work, but not exactly the piece of work I assumed him to be when I picked up the book. The narrative loses steam when a bout with throat cancer rather literally puts the fear of God into the guy, but it's still a blunt, engaging, touching, and provocative - if perhaps not perfectly honest - book. But what would I expect from a guy who could write Showgirls and Basic Instinct as well as The Music Box and Telling Lies in America? He's too complex a beast with too wild a life for even a talented writer like himself to capture with complete accuracy. Does he cut himself too much slack sometimes, or rewrite himself into the hero's role too transparently? Sure. But, by the end, you at least realize that facile labels like "misogynist" or "smutpeddler" are both unfair and wildly inaccurate.
—Susie

This is a long, too long, book in my opinion. Got tired of reading about Hollywood, particularly the Hollywood of the author.The book could have been half the size and sharpened up and would be much more readable, at least to me.I finished the book, but hd to work at it to get through. Guess the topic was not as interesting to me as I thought it would be.Those who want to hear all the gossip about Hollywood, as seen through the eyes of one person and that one person's opinnion, will enjoy the book.J. Robert Ewbank author "John Wesley, Natural Man, and the 'Isms'"
—J. Ewbank

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