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Hangsaman (1976)

Hangsaman (1976)

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Rating
3.7 of 5 Votes: 2
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ISBN
0445031174 (ISBN13: 9780445031173)
Language
English

About book Hangsaman (1976)

When I first finished this novel, I was left with the feeling of, what the heck just happened? This was a combination of reading the last fifth or so, where the story takes an interesting turn, during a fit of insomnia, which helped contribute to the sense that the story had gone off the rails. However, in the couple of days since finishing it, the turn in the story has begun to seem less jarring and more haunting. (I wonder how many of the people who fired off angry letters to the New Yorker in reaction to Jackson's The Lottery found themselves pulled under its spell only a couple of days afterwards.)Hangsaman tells the story of seventeen-year-old Natalie Waite as she leaves home to start college. Natalie is smart and literate--it is unclear to what extent her own literary ambitions are the result of her father's own self-absorption--and she feels out of place at college. She is befriended by the wife of one of her professors, who was herself a student only a few years beforehand, as well as the professor himself, though Natalie is not the only student he has befriended. (And this is an all-women's college.) Finally, Natalie befriends another student, with whom she finds a special bond.Though Natalie is no Merrikat, she's an engaging protagonist, and Jackson's talent for depicting a social sphere laced with anxiety is as sharp as always. For the majority of the novel, Natalie just seems a little out of place, not sure how to maneuver the world in which she moves, lonely and alienated. And at the end, with her special friendship, there is a sense of something slipping in her relation to the world, and suddenly the novel takes on the feel of one of Ms. Jackson's short stories, where the reality of the situation is indeterminate, unnerving. It was a little jarring at first, though it does leave the book off in a very eerie place.Overall, I'd have to say I rank this below We Have Always Lived in the Castle, The Haunting of Hill House, or even the lesser-known The Sundial, but it still has some intriguing characters, sharp dialogue and wonderful writing. I wouldn't recommend it as an introduction to Shirley Jackson--in fact, feeling like a bit of a Jackson completist myself, I am not sure it would be fair to recommend it to anyone not already under her spell to some extent--but it has enough of that eerie magic one can expect from her work.

I've loved several of Shirley Jackson's other books but this time the magic spell didn't work on me, and when a spell fails, one is left with little to do but gawk at the occult paraphernalia involved in its casting, which are bound to ultimately seem at once baffling and quaint.Some of Jackson's other books are expertly engineered spell-casting machines, the parameters of every pentacle chosen for optimal potency, no sigil lacking even the smallest significant curlicue. This one is more of a Rube Goldberg apparatus, an assembly of lots of striking little pieces that don't seem to add up to the sum of their parts, much less more. When I Googled around in an effort to figure out what on earth it all meant, I found . . . a piece on Slate about the experience of finishing the book and Googling around in an effort to figure out what on earth it all meant.There were quite a few times in this book the protagonist's neuroses were so difficult for me to understand or relate to that I just wanted to say: oh, get over yourself. By contrast I never would have thought the same of other Jackson protagonists like Merricat or Eleanor. It's possible that the difference here is simply that I've personally experienced one kind of neurosis and not another. But it feels like more than that. The psychology in Hangsaman is as rambling and shaggy doggish as the plotting. Every time something new happened I wanted to annotate both the event itself and Natalie's response with a "?" as though they were chess moves.I suppose there is a certain unity there: Jackson's books inspire these simple and composed sorts of responses that can be boiled down to individual symbols. When I started reading We Have Always Lived In The Castle, my first status update on Goodreads simply read"!"Whereas anything I might want to say about Hangsaman really just boils down to"?"

Do You like book Hangsaman (1976)?

My favorite Shirley Jackson book because of its mysterious nature and character development. For me, Natalie Waite was very easy to relate to in many ways, until the appearance of Toni and the downward spiral. Definitely not as creepy or scary as The Haunting of Hill House, but a great read for the amount of detail and psychological suspense. While I started my senior thesis reading The Haunting of Hill House, I eventually would up reading almost all of Shirley Jackson and settled on writing about just this one novel. My thesis investigating the women's roles of the time and the hero cycle. It makes me sad that I can't remember most of what I wrote, but it was about 8 years ago! I do remember though that almost none of the critical writing on the book discussing the rape. My cover does not look like this at all! This cover is the perfect cover for this book, whereas my cover sucks. It has a picture of a blond frightened looking girl with a noose. When discussing girl names, it was no accident that Natalie Wait's name made it on the list. Of course, Natalie Portman helped it become our final choice.
—jacky

All the time while I was reading Hangsaman I was waiting to find out what kind of novel it is. Having read We Have Always Lived in the Castle and knowing a little of Shirley Jackson's reputation, I was expecting it turn to into a Gothic melodrama or a supernatural chiller, but even four fifths of the way through, it refused to take a shape I recognised.The first part sees Natalie Waite suffering her family at home, the second sees her suffering the poisonous student/teacher relationships at her college, then the third part... well, the third part makes some unexpected jumps. Natalie makes a new friend. Heavy hints are dropped concerning the direction in which we are headed, none of which are followed through. Incidental characters may or may not exist.This is, I think, a story about identity, about a damaged person trying to understand where they fit into the world in relation to the constricting expectations of others. A key scene may be on a bus ride, when Natalie feels suffocatingly confined by her fellow passengers on all sides: "she was helpless among people who hated her and showed it by holding her motionless until they should choose to release her."Perhaps now is not the time for me to be writing this review. I finished reading the book a few hours ago and already it is growing in my mind, its echoes gathering in volume. It may be some time before I figure out how I feel about it.One more thing: in the unlikely event that anyone is reading this, does anybody know what the title means?
—Stephen Curran

Hangsaman makes the case that it is an oversight of enormous proportions that the literary reputation of Shirley Jackson rests upon a handful of (albeit, perfectly constructed) short stories. One might hope that the 2013 Penguin reprints of her novels would correct this and help begin a critical re-evaluation of her work; certainly, one can see the roots of the critically acclaimed work of Russell, Van Den Berg, Bender and others in the mystery, humor and terror of Hangsaman. This novel, not Plath's The Bell Jar, may be the ur-text of late 20th century and early 21st century psychological realism and the fantastical realism that portrays the marginalization and alienation of young females disenfranchised with contemporary social norms and experience.Here, in Hangsaman, deeply imaginative Natalie Waite tries to shrug off an indifferent alcoholic mother, a domineering and arrogant father, and a completely indifferent brother, as well as a horrifying sexual assault, by rewriting herself in college. As a first-year student, she discovers and distances herself from the catty coteries in her dorm, and struggles to find real friends to stave off her deep loneliness. Unable to master or understand the social expectations of her dormmates, she spirals into a fierce depression until she meets her soul mate-- a girl named Tony, who may or may not turn out to be real. While I'll leave the diagnosis of Natalie to the experts, I can say that Jackson's deeply sympathetic writing, even when she seems to disagree with Natalie's choices, creates a potent and ironic metaphor for the compromise of self that many women felt and feel as they grow into adulthood. An amazing novel.
—John Pappas

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