Encompasses all the worst aspects of Mosley’s writing. Judith is a female character with the voice of an upper-class Cambridge philosophy professor who speaks (and thinks) in quasi-profound and lyrical phrases—representing reality is not Mosley’s agenda, however this narrative voice is beyond lud...
Nothing at all like I had anticipated and the most pleasant literary surprise I've experienced since Iain Sinclair's Downriver. Incredibly precise and measured, thoughtful almost to the point of ponderousness, philosophically heavy and deft at the same time, working its peculiarly compulsive an...