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Death In The Andes (1996)

Death in the Andes (1996)

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Genre
Rating
3.66 of 5 Votes: 2
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ISBN
057117549X (ISBN13: 9780571175499)
Language
English
Publisher
faber and faber

About book Death In The Andes (1996)

[7/10] A haunting and disturbing story, skillfully presented, but I hold Mr. Llosa to higher standards after including his sprawling, philosophical War Of The End of The World on my favorites list. I learned a lot now about modern Peru, which is why I picked the book up in the first place, but I also had issues with the muddled dialogue, with the slow pace, continually fragmented by flashbacks, and with a perceived bias against the Sendero Luminoso guerilla, who received an extremely harsh treatment as brainless, blood crazed terrorists.I have seen a review on the net calling the book a Latin American version of Heart of Darkness , where instead of horizontal movement along an equatorial river, we get a vertical movement into the high Cordillera (Richard Eder). The comparison feels appropriate, due to the prevailing downbeat mood, the permanent danger and the soul crushing climate and isolation. Another connection can be made to the noir books, as the main plot deals with an investigation of three deaths / disparritions, and a secondary plot is a love story of a couple on the run from the local mafia (reminding me of James M Cain in particular).The setting is Naccos, a semi abandoned, dirt-poor high altitude village consisting of a highway labour camp, a police post and a cantina for getting drunk after work. A sergeant (Lituma) and an Adjutant (Carreno) try to unravel the mystery surrounding three missing persons : a mute simpleton (Pedrito Tinoco) , an albino (Casimiro Huarcaya) and a team foreman (Medardo Llantac) . As we learn about their identities and backstories through flashbacks, the only apparent connections are the fact that they were all strangers for the local population, and they all had suffered grievously at the hand of the serruchos : the blood thirsty Maoist rebels who control the region and who could descend on Naccos at any moment. As if the stories of these three missing unfortunates were not enough, Llosa includes a couple more high profile atrocities commited by the serruchos against foreign tourists and against an environmental activist, which prompted me to suspect the novel is being used to vent the author's dissatisfaction with a government report he helped write on the reconciliation between the different factions in the civil war.Coming back to the two policemen, they are linked by their lowland origins which makes them also outsiders among the imposing peaks and freezing nights of the Andes. The threat of a serrucho attack that they would be unable to resist hangs like Damocles sword over every moment of their stay in Naccos. Their only recurse is to turn their backs on the world and hold endless conversations in their dismal shack, which frankly makes an already glum novel even less appealing. Llosa experimental technique with dialogue, where he mixes up past and present from one line to another is not helping things along very much. It often feels like the two cops are holding a contest about who is the most depressed: He took drag after drag on his cigarette, and his mood changed from anger to demoralized gloom. - Lituma. I've never been so miserable in my life as I was here. - Carreno.and an exchange between the two: - I was tired of living. At least that's what I thought, Corporal. But seeing how scared I am now, I guess I don't want to die after all.- Only a damn fool wants to die before his time, asserted Lituma. There are some fantastic things in this life, though you won't find any around here. Did you really want to die? Can I ask why, when you're so young?- What else could it be?- Some sweet little dame must have broken your heart. Some of the local details that give the novel its authentic flavour and kept me interested in the plot:- vicunas are a smaller version of llamas, living in the wild at high altitude, very shy animals whose fur is greatly appreciated in luxury clothing, and who are listed as endangered species.- apu are ancestral mountain spirits, their essence can get incarnated in condors, and they are often malefic- huaycos are devastating rockslides, send by angry apus according to the locals, probably caused by earthquakes to the scientific mind;- terrucos - are the local population, speaking in quechua dialect, the remnants of tribes older even than the Incas. ( You have to understand their thinking. For them, there were no natural catastrophes. Everything was decided by a higher power that had to be won over with sacrifices )- pishtacos are the Peruvian version of vampires, feeding on human fat instead of blood, and using a dust made of powdered bones in order to put a glamour on their victims- mukis are a sort of gnomes hiding in the deep mines and scaring the workers- pisco is a distilate from wine, specific to Peru, and the drink of choice in Dionisio bodega.Which brings me to the most interesting aspect of the book for me: the mystical component, the primeval myths and traditions that can be traced back to the stone age and illustrate peculiar similarities across continents. In our case, Dionisyio the barman is a clear reference to Bachus, and his witchy consort Dona Adriana is a maenad - one of the god's followers, achieving ecstasy through drink, dance and debauchery: When we're dancing and drinking, there are no Indians, no mestizos, no rich or poor, no men or women. The differences are wiped away and we become as spirits. Later new references are introduced to the bachanalia mysteries, secret practices reserved for the women and translated to preconquista cultures in the Lord of the Fiesta tradition: choosing a person to rule the festivities for one year: He did some hard drinking, he played the charango or the quena or the harp or the tijeras or whatever instrument he knew, and he danced, stamping his heels and singing, day and night, until he drove out sorrow, until he could forget and not feel anything and give his life willingly and without fear. Only the women went out to hunt him on the last night of the fiesta Whether these mysteries had anything to do with the disappearances, or if there are even older myths hiding in the heart of the Andes, is for Lituma to uncover and for the reader to wait until the last page.I will close with my earlier reference to a 'noirish' love story. Llosa chooses to finish this plot line in an unconventional way, but I felt it was appropriate in underlining how the key to the story may be neither with Lituma's cynical atitude nor with Dionisio's escape into drink, but with the young adjutant's naive belief in a better world.

گروهبان لیتوما و معاونش کارنیو در یک پاسگاه پلیس در منطقه کوهستانی آند در کشور پرو مامور ایجاد نظم و امنیت هستند. منطقه کوچکی که در آن سرخپوست ها و بومی های محلی و کارگرهای کارگاه احداث جاده در آن زندگی می کنند و طبیعتی سخت و خشن دارد. مردمی که کار زیادی انجام می دهند و درآمد کمی دارند و تنها تفریح و سرگرمی آنان حضور در میخانه محل است. محیطی دلهره آور با آب و هوای عجیب و غریبش که آدم هایش نیز همانند طبیعتش شده اند.در ابتدای داستان خبر گم شدن یکی از کارگرها به پاسگاه می رسد و این فرد , سومین نفری است که طی سه هفته اخیر بدون هیچ ردی ناپدید شده اند و گروهبان به سبب وظیفه اش و البته مسئولیت پذیری بالایی که دارد پیگیر این ماجراست...اولین مظنون, با توجه به شرایط سیاسی اجتماعی منطقه گروه تروریستی راه درخشان (سندریست ها که یک گروه چریکی مارکسیست هستند) است. گروهی که به صورت مسلحانه در کوهستان های آند مشغول مبارزه با دولت فاسد است... و همینطور که داستان گام به گام جلو می رود حیرت خواننده از ظرفیت آدمی! بیشتر می شود. نویسنده نیز تکه هایی که بعضاً ابتدا بی ربط به نظر می رسد را در کنار هم قرار می دهد و با هنرمندی آنها را به یکدیگر متصل می نماید... ما در سیر داستان ابتدا با دو منبع خشونت مواجه می شویم; دولت و مخالفان مسلح , که رقابت این دو گروه بر سر قدرت مردم را تحت فشار قرار می دهد و به سمتی سوق می دهد که آنجا نیز منبع سوم خشونت است.فساد و خشونت دولتی را در صحنه های مختلفی از داستان می بینیم; فرمانده عالیرتبه پلیس نقشی همچون پدرخوانده دارد و افراد خود را برای محافظت از یک قاچاقچی اعزام می کند, یا ارتشی ها فرد لال بیگناهی را شکنجه آنچنانی می دهند تا اعتراف کند و… خلاصه اینکه وجود فردی شریف مانند گروهبان لیتوما که از قدرتش سوء استفاده نمی کند مایه تعجب همگان است.در طرف مقابل چریک ها هستند که به نام آزادی مردم و مبارزه با فساد, عرصه را بر مردم تنگ می کنند. با دلایل واهی و مسخره آدم می کشند و همزمان شعار اعتلای ارزش های انسانی را سر می دهند. برای اینکه گلوله را برای کشتن نیروهای ضد خلقی حرام نکنند آنها را سنگسار می کنند! هر منطقه ای را که آزاد! می نمایند , دادگاه های خلقی تشکیل می دهند و هرکس کوچکترین وابستگی به دولت داشته باشد اعدام می کنند و کاری می کنند که مردم علیه یکدیگر شهادت بدهند و حتی مجازات ها را با قساوت علیه یکدیگر به کار بگیرند تا به قول خودشان آنها را از قربانی بودن خلاص کنند تا آزادیبخش شوند.جالب این است که در قسمتی از داستان که چریک ها این اعمال را انجام می دهند و بعد شهر را ترک می کنند, ارتش وارد شهر می شود و آنها نیز دادگاهی برپا می کنند و نهایتاً عده ای را به عنوان مجرم با خود می برند و همزمان سربازان تمام اموال مردم را غارت می کنند و هیچکس جرات اعتراض را ندارد. بعدها که خانواده مجرمین پیگیری می کنند اثری از آنها نمی یابند, گویی اصلاً وجود نداشته اند.

Do You like book Death In The Andes (1996)?

Awesome book. Mario Vargas Llosa blends folk tales with a love story behind the political screen of Shining Path terrorism. How did he do it? The love story (and its a great love story) emerges from the young guard Tomas who tells Corporal Lituma as he has investigates three mysterious disappearances of local people including the mute young man he befriended. Constantly threatening them is the terror of the Shining Path guerrillas who threaten to kill everything and everyone in their path. To add to the atmosphere is the cantina owner Dionysio and his witch wife Senora Adriana. Borrowing heavily from the Greek myth, Dionysio lives up to his namesake while his wife weaves mysterious tales to the story.Lituma begins to believe the stories of natives of the pishtacos and huaycos and things that scare the men of Nacco, a remote mining outpost. And the stories intertwine and weave amongst themselves but the reader is never lost. Quite amazing at times and the tension is constant broken by the love story.Like Aunt Julia and the Scriptwriter and The Bad Girl, I couldn't put this book down as the story was so wonderfully told. READ!
—David

This is not only the first book by Mario Vargas Llosa I have ever read, it is also, to the extent that I can recall, the first book about Peru I have ever read. Up to now my reading in Spanish American literature has been limited to Gabriel Garcia Marquez, Jorge Luis Borges and Pablo Neruda, an author whose bona fides I suspect because, after all, he only has two names.I enjoyed the book, enjoyed reading it, followed it easily, saw how the minor episodes and activities and characters built the structure. Still, it never grabbed me the way The Brief, Wondrous Life of Oscar Wao or Love in the Time of Cholera grabbed me.There is no reason to blame Vargas Llosa for that. It may just as easily be my fault. Next I think I shall try In Praise of the Stepmother. That may change what I think even of this book.
—Chuck Lowry

I am ashamed to admit that I only recently (in my early 30s) "discovered" Vargas Llosa, and only read my first work by him in April (2013). My choice of "Death in the Andes" was twofold: first, I had been on a "mystery" binge for at least a year, devouring daily Christie, Ngaio Marsh, Jo Nesbo, Baldacci & the like, and was ready to move on to more substantial, less mind-numbing (written for entertainment value primarily) work--"Death in the Andes" seemed like a perfect transition, a more literary mystery by a Nobel laureate (it ended up not being much of the latter). Second, I had just within the past year visited South America for the first time, hiking the Inca trail and falling in love with the people and culture of Peru in a more intense and passionate way than I ever have with a locale previously during my travels--the fact that Vargas Llosa is Peruvian and that this novel takes place in the most beautiful, mysterious, tranquil and surreal setting I have ever experienced clinched the decision to try and move beyond my current phase of shallow feel-good mysteries.By most accounts, this is not Vargas Llosa's best work, and by others, "Death in the Andes" is a meandering "mystery" that doesn't quite live up to any mystery standards. I agree wholeheartedly with both appraisals: the first, because I am not trudging through "The War of the End of the World," an epic fictionalized account of the Brazilian fanatical/rebel settlement Canudos (during the latter part of the 19th century), and, although I am not even halfway through, I consider this to be the most brilliant work of fiction I have ever read, and the competition has been fierce (previously I was enamored with Sartre's "Age of Reason" trilogy, all of Camus & most of Atwood, Vonnegut, Irving, Heller, and the like: we're not talking of a comparison between Vargas Llosa and Christie or Baldacci, but of one with serious heavyweights). Regarding the second point, "Death in the Andes" is not a mystery; it's full of mystery, but is not in any way, shape, or form, a detective or mystery novel in which the three disappearances which center the novel are systematically solved. Rather, it is a lyrical, incredibly written drama which offers profound insights into the nature of human experience, a beautiful description of native life in the Andes of Peru, a surreal atmosphere in which the horrific is rendered mundane while the prosaic is transposed into the realm of mystery, and a tragic illustration of the mechanics of terror, superstition, and power--an incredible induction into Latin American "magical realism". On the surface, "Death in the Andes" is a story about two guards/officers sent to a remote outpost in the Andes to protect the workers in a small mining town in an extremely dangerous region which the Shining Path (communist guerrillas of Peru) rules through massacres, rapes, plunder, and other terrorist acts. The story begins after the third disappearance of a miner, as the guards are seeking answers to the possible fates of the missing men (Were they killed by the Shining Path? Did they run off to join this group? Were acts of nature involved? Or were the men "sacrificed"--willingly or not--to the spirits of the mountains, to appease them for the tumultuous changes ravaging local communities?). As much as the disappearances play a role in the broader illustrations of how individuals make meaning within a chaotic, senseless world in which they are manipulated by forces which they feel helpless to shape (such as terrorism), the mystery, and the "solving" of possible crimes, is besides the point. Instead, Vargas Llosa paints a complex world in which even when known as fact, the "solution" of the disappearances remains ambiguous, unintelligible, mysterious, in which any clear lines between "good" and its opposite have been effectively blurred beyond recognition, and in which we are left to question how we can possibly identify and empathize with those who practice acts which, if written as catchy bylines, would terrify us (such as "Human Sacrifice in the Andes").If it's not already clear why I absolutely loved this book so much that the next day I bought five more Vargas Llosa books and almost immediately started reading "The War of the End of the World," suffice to say that there is only one reason, and it's more than one hundred others together: Vargas Llosa's brilliant aesthetic and incredible ability to poignantly depict the ambiguous and complex nature of humanity. I haven't been this glued to every word, nuance, and detail in a book for many, many years. Usually I read fast, trying to devour as many books as possible in the limited time I have to read in a week, but with "Death in the Andes," I was savoring every word, looking up references online, visualizing the setting and characters, in general just taking my time to enjoy the beautiful writing and surreal (to a Westerner) story... I can only imagine how beautiful this novel is in Spanish: Vargas Llosa has inspired me to get going on my Spanish learning (I've been meaning to for a while) so I can read this powerful novel in its original language.The only aspect of this novel that was surprising/not as satisfying was the ending... for such a tragic work (about the emotional terror of living in a setting in which one may be prayed on at any time by nationalist terrorist group The Shining Path, and about the superstitious religious beliefs of local communities, including human sacrifice), the ending was surprisingly happy. Everything worked out too perfectly for both protagonists, they both got what they wanted: one got the girl, the other won relocation to a safer community... This was quite uplifting, considering the rest of the novel, but I also felt like the ending detracted from the roller coaster emotional ride and tragic nature that constituted 99% of the work. I kept waiting for the same fate to befall the two Guards as the other "missing" characters...Still, brilliant atmospheric writing, and a 5+++ in my book. I am looking forward to a Vargas Llosa binge for the next few months, or however long it takes me to get through the rest of his novels :) I am in love!!!!
—Ioana

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