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Daughter Of Fu-Manchu (2012)

Daughter of Fu-Manchu (2012)

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Author
Genre
Series
Rating
3.62 of 5 Votes: 5
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ISBN
0857686062 (ISBN13: 9780857686060)
Language
English
Publisher
titan books

About book Daughter Of Fu-Manchu (2012)

Egypt and then London, the early 1900's — the era of Sherlock Holmes, Dracula, and the mysteries of Egypt — a time of shadows, secret societies, discoveries of hidden knowledge, and even a dead man who lives again. Into this setting comes a classic femme fatale, an oriental beauty with a sirenesque quality, who possesses not only beauty, but a high intellect: the daughter of Fu Manchu. The "Daughter of Fu Manchu" is the fourth in the Fu Manchu series by Sax Rohmer, a prolific English novelist, who is best remembered for his series of novels featuring the master Oriental criminal mastermind Dr. Fu Manchu.In this fourth novel, we have a change of narrator: Shan Greville. If you have read the first books, never fear, Dr. Petrie is still there to help; in fact, in just the first few pages, Greville seeks Petrie's help for his dead chief, Sir Lionel Barton. As the mystery builds in Egypt, Nayland Smith appears just as things at their "dig" of the Tomb of the Black Ape are getting strange and sinister, including the disappearance of Sir Barton's dead body! Sir Denis Nayland Smith and his associates learn of a deadly organization that stalks the shadows. The sinister organization's goal is to undermine the balance of global power; it reminds them of Fu Manchu, but he is dead. At the head of this sinister, secret society is the daughter of Fu Manchu, an evil beauty with incredible hypnotic powers. She has convened "Si Fan," the ancient and powerful Council of Seven, who has power than none can withstand. Now it is up to Smith and his associates to save the peace and sanity of the world. Nayland Smith pursues his quarry across Europe, and the battle rages through the streets of London where the plot builds to a clever, quick finale. The old-fashioned writing style in "Daughter of Fu Manchu" (as is true in all the Fu Manchu novels) can be a bit distracting until you get used to it, and for some people, the racial stereotyping can be upsetting to many modern readers. However, the book, its style, and even the stereotyping is a product of the time and place in which it was written. Rohmer is most famous for creating the infamous evil genius of Fu Manchu who became even more famous in those marvelous black and white movies of the 30's. Fu Manchu was portrayed in various films by Boris Karloff in these movies. Several of the first Fu Manchu novels are also available for free on the Kindle or search out the actual books in used bookstores - they are worth the time to discover the great, intellectual (and stereotypical) evil genius who is Fu Manchu.

It is hard not to like this rather bad book. On the plus side, Rohmer has a knack for quick character touches that make you think a character is three dimensional, even when they are not--and none are. The story really moves, for the most part, and the few action scenes are page-turners. This is the first Rohmer I have read, but he gives the feeling that I have entered a bigger and more interesting than can be contained in one book, and indeed this is the fourth in a series. On the other had, the book has an incipient racism, using as it does the fear of the inscrutable evil hearted oriental. Having said that, there is far less overt racism than I expected. Half way through, the story stops dead while a new character is introduced with a recounting of what that character was up to when the first half of the book took place. This goes on for nearly the next quarter of the book. The scheme of Fu Manchu's evil daughter is never satisfactorily explained. What is she doing in Egypt and why should we fear it? I have no idea. Why does she shift the action to London? I also have no idea. She falls in love with the first person narrator upon first seeing him, and revises her plans to try to win him. Yeah, right. Because of the first person narrator, readers are kept in the dark too long because the real plot, in both senses of the word, takes place off stage. All this and more are wrong with the book, but reading it is an unexpected pleasure. I must study Rohmer more to figure out what he did right.

Do You like book Daughter Of Fu-Manchu (2012)?

For some reason I have fallen into a recent binge of noir style mysteries: Sherlock Holmes, Cornell Woolrich and Sax Rohmer. There is a certain feel that is unique to the time periods 1890s-1950s.The problem with the Fu Machu novels is their racist overtones. They are written from the perspective of a British Empire centered culture. The books express the view that the "civilizing" white world is the only light in a world of mysterious and exotic savages.With that said, it doesn't mean the books should be abandoned and forgotten. Dr. Fu Manchu and his daughter Fah Lo Suee are unique characters despite their stereotype nuances. They portray an inner energy that make them truly malevolent villains. Unfortunately, the story is weak. It is told in long paragraphs of narrative, a characteristic of this type of literature, but poorly executed here. The story concerns Fah Lo Suee's plot to take control of the Si Fan, the global criminal organization formerly controlled by the long dead Fu Manchu. As events unfold, we learn that her father is alive and that he is not prepared to give up control just quite yet. Both heroes and villains do dumb things and coincidences pop up from time to time to move the plot along. This really bogs down the center of the book.Written in 1931, its final chapter is its best. Here we see the climax of the Si Fan civil war. It is understated and at first glance lacks a dramatic conclusion, but in the last chapter we see the strength of Fu Manchu and the hate/respect relationship between him and Nayland Smith of Scotland Yard. Rohmer even gives the venerable villain a positive motive. Fu Manchu began his rise to power on the hope of making China a better place. The final chapter is also prophetic. It predicts the next world war (implying that it was set in motion by Fah Lo Suee before Fu Manchu could stop her). It also summarizes the Western European fear that Asia will rise and united from Turkey to Japan to become the new center of world power.
—Stuart

wow! I found this one great! this, the fourth, came after a fourteen year gap, when Rohmer, apparently, like Doyle, wanted to be done with his most famous creation. If he returned grudgingly, it doesn't show. except, if you speculate, you could interpret certain strategies of this book in that light. whether or no. those methods really worked on me!the racism usually seems rote, the respect between the "racial enemies" always makes a good impression on me. the sexism in this one is painful, a few times, though. "During their short acquaintance Rima and Mrs. Petrie had established one of those rare feminine friendships which a man can welcome."what?? no idea whether Rohmer thinks stuff like that sells (which could be true, for all I know). or whether he just thinks stuff like that. still loved the book, to my surprise. :)
—Mumbler

Reviewed for Hearts on Fire Reviews “Daughter of Fu Manchu” ought to be utilized as a course in teaching writing, specifically, in teaching how to write an effective reader’s hook, and in how to maintain, escalate, and continue tension in enraptured readers. The initial pages contain an entire series of reader’s hooks, which is a very important tool in my perspective as a reader and as reviewer. I had rather the experience of a trout caught by multiple fishermen, in the sense that author Sax Rohmer leaves no escape from tension, from fear, thrills, action, nor adventure. In this particular entry in his beloved “Fu Manchu” series, Mr. Rohmer sounds the key of the Yellow Peril, of that great mad genius of the Far East, but sounds it gently and periodically. Here the danger-and the terror, the thrills, and the anxious ponderings-stem from a new but related threat: a lady of elusive heritage and ethnicity, known to the excavators of an abandoned and possibly cursed Egyptian tomb as Madame Ingomar-a lady who is actually far more dangerous than any could have perceived, for she is none other than the dreaded heiress to Dr. Fu Manchu-the daughter herself.I wish I could express better my total enjoyment of the Fu Manchu series. I mourn that Mr. Rohmer passed in 1959 (from a strain of Asian flu); what a joy if he were still alive and penning these wonderful novels! Such an excellent author; full praise to the publisher, Titan Books, for their foresight and continued good sense in bringing Mr. Rohmer to a new generation-and to the delight of us oldster fans!
—Mallory Heart

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