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Cracking India (2006)

Cracking India (2006)

Book Info

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Genre
Rating
3.81 of 5 Votes: 4
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ISBN
1571310487 (ISBN13: 9781571310484)
Language
English
Publisher
milkweed editions

About book Cracking India (2006)

Perhaps I'm the wrong audience for this book. Perhaps it was a bad translation. Perhaps I'm just in a really bad mood. But I really, really did not enjoy this book. This is a book about civic turmoil in 1940's Lahore as it transitions from India to Pakistan, from the perspective of a little girl. It is a book in which several people are harassed or killed by religious extremists, and in which half of the characters die or disappear. Yet I still found it to be boring, uneven, and poorly suited to the novel format. Though Sidhwa masterfully communicates a sense of innocent cluelessness in her young protagonist, who often recounts events she has observed without understanding them, this device often results in the reader lacking crucial information about what is actually occurring in the book. Much of what actually occurs is also only things that a young girl in a repressive culture would see, so there's more description of people sitting around the house talking or kids horsing around with each other than anything else. It is consequently difficult to develop any sort of emotional stock in the characters, who flit in and out and ultimately mostly are killed off abruptly "offscreen" without much dimensionality or purpose. There is also no story arc, and the protagonist never develops at all - it's really just a very long series of observations about a turbulent period in history as recounted by a little girl. In that sense, this book is very educational, and I learned a lot about the history of the India/Pakistan split. But "educational" is really all this story has going for it. As a memoir or in some other nonfiction format it might have been interesting, but as a novel it just doesn't work.Again, I'm probably not the right person to appreciate this book. But unless you're a very, very committed third world development crusader of the old (1970's-1990's) school, you'll probably not find much to like here.

It has been a few years since I read this novel but it's testament to Sidhwa's writing that I could probably still summarise every chapter.The synopsis does not do this story justice. The use of a child narrator may seem like a mere plot device, but it is so much more. Lenny sees her world falling apart in the most mundane yet catastrophic ways. The reader will frequently suspect throughout the novel that the author experienced many of the horrific sights and sounds that Lenny and her family did.My main focus of study during my History degree was the partition of India. This novel was on the reading list and recommended. I have never devoured such an academically-recommended work in such short time since, and I don't think I ever will again.This is a novel with a dreamlike quality to it. The long pages of Lenny simply playing in the garden and the dusty suburban street, or in the park with the (disturbing) Ice Candy Man, are perfection. The coming and going of the extended family and acquaintances, seen through the eyes of a child, hint at the tense feeling in Lahore in 1947.By the end of the novel you feel what Sidhwa's wishes you to feel...that the subcontinent will never be the same again, that a new and indistinct frontier exists, that the Parsi community is shattered, and that Lenny's family will have to reconsider their place in the world.In short, a novel that ebbs and flows between the indistinct and naive views of an idiosyncratic child, and the reality of the increasing chaos enveloping her city...just beyond the confines of her quiet neighbourhood.

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South Asian Diaspora writings are, to me, political mostly. They are perspectives against or for states, events, places and people . Ondaatjee's poetry is the kind of work I enjoy and relate more to. A kind of palimpsest , not dialogue, a mosaic not argument.Still, no doubt Sidhwa's expertise of story telling, the biographical details bringing in the issues of trauma and memory and witness etc are some commendable features of the novel.In comparison to The Pakistani Bride , the characters are more real and tangible in the novel despite the being prototypes of the Subcontinental conscious during partition. They have a developed subjective narrative that is weaved into the on goings of the place they reside in. While Pakistani Bride presents a limited insight into the character's journey of their inner world.
—Basila

"Gandhi, Jinnah, Nehru, Iqbal, Tara Singh, Moutbatten are names I hear. And I become aware of religious differences. It is sudden. One day everybody is themselves-and the next day they are Hindu, Muslim, Sikh, Christian...What is God?" -Bapsi SidhwaThose sentences and that overarching question pretty much sums up this graphic and truly saddening book about the Partition of India. It is a story about Lenny-baby and her coming of age story during a time when India decided to split and partly become Pakistan. Lenny-baby lives with her relatively upper class family live in India amongst a wide diversity of religions. Her Ayah (nanny) is Hindu and gives Lenny the love that she seems to lack from her busy mother. Ayah takes Lenny around town with her and exposes her to many different things all the while hatred and discontent seep into the narrative. Religions begin to turn on each other. When it all comes to a peak no one is safe and everybody feels the traumatic effects of splitting a nation. I will heads up by saying this narrative is not for the faint of heart. There are rapes, beheadings, forced marriage/prostitution, domestic violence, and a creepy/uncomfortable incestuous love. (squirm, squirm) I will say that I appreciate this narrative for it taking on a very hard subject and give kudos to the author in her brilliant portrayal of a subject I had previously known little about. "Shall I hear the lament of the nightingale, submissively lending my ear?Am I the rose to suffer its cry in silence year after year?The fire of verse gives me courage and bids me no more to be faint.With dust in my mouth, I am abject: to God I make my complaint.Sometimes You favor our rivals then sometimes with us You are free,I am sorry to say it so boldly. You are no less fickle than we."-Iqbal
—Erika B. (Snogging on Sunday Books)

This book was unsuccessfully challenged in DeLand, Florida, so of course, I went out and read it right way. Sidhwa tells the story of the partition of India through the eyes of young Lenny, who is a Parsee girl living in Lahore. This book is violent. There's talk of rape and sex. And oh, the violence. I can see why some people would want it banned, but it is no more violent than the actual events were. This was a hard book. It deals with this period of time with no background information. I really don't know much about this, so I had to look a lot of things up. The writing style, while beautiful and fitting, isn't an easy read. This would be a wonderful book to teach and read in school. It's dense and layered and the history is tragic, but so much history is. It also really puts current India/Pakistani border clashes and politics in perspective.If you don't know a lot about partition, make sure you have access to an encyclopedia-- I had to look a lot of things up.
—Jennie

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