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Carnevale (2001)

Carnevale (2001)

Book Info

Rating
3.56 of 5 Votes: 3
Your rating
ISBN
1860498655 (ISBN13: 9781860498657)
Language
English
Publisher
virago press (uk)

About book Carnevale (2001)

This author writes historical fiction as it really should be written. Few authors succeed as she does. She takes all the facts of the time and people and teaches it all to the reader by adding a few fictional characters. The only fictional characters added to this novel are a cat, a gondolier, the main protagonist and her family and husband. Even the husband is a brother of a “real person”. These fictional characters are expertly woven into the real events. It is amazing how closely the author has stuck to the real events. You must be interested in knowing the factual details of the lives of Byron and Casanova. You will be given an extensive quantity of details. You must ask yourself if you will be interested in these details. That will tell you whether this book is for you or not. There is an excellent epilogue that states yes, this was true and this and this and even this too. You will be amazed that so much of this is completely true. Through the fictional characters all the people and events are tied together. Through the fictional character we go under the skin into the minds of Byron and Casanova. I believe that what the author has “guessed at” is most probably true. The fictional elements are wonderful, but if you are not interested in learning about the real people, about life in Venice and historical events and literature of that time, then you might be bored at times. Now for the fictional part: I loved the fictional story just as much as the history imbibed. I loved the descriptions of Venice. I loved the cat and the gondolier because they were so wise. And I like that it was a cat and only a “nobody gondolier” that were so darn smart. I loved the ending and the message it gave and what it said about each of the characters. In truth, I loved more HOW the message was fed to us than the message itself. It was the little details of how the moral was said that made my enjoyment of the book so thorough. It is not where a book goes that is that important to me, but rather how it gets to the end point. For example, I love how chocolate plays in at the end, just as much as the final moral given. And I loved the Venetian proverbs that began every chapter. And I loved Casanova, but hated Byron, although I grew to understand what drew women to him. If I were smarter, if I had known more before starting this novel, I probably would have given it five stars. I was bored at points only due to my own ignorance. The more I read, the more I learned, and the more I enjoyed the book. Oh, yes! The book is about love, all kinds of love. However if you want a simple love story, do not pick this.

Silly o'clock, Friday night/Saturday morning. I've only just finished part one and already I'm loosing sleep wondering how to review this complex, over-long (628 pages), rambling four part debut novel.Mid-afternoon Monday and I'm finally finished what turned out to be an awfully long-winded book that as well as the main story also saw many asides which included Casanova's cat voicing his opinions in chapters titled 'The Cat Speaks'.Not as I had expected, this isn't so much the story of the fictional artist Cecilia Cornaro as it is the stories of Casanova and to an even greater extent Byron.Seamlessly entwining fact with fiction, the author has obviously thoroughly researched the lives of both Casanova and Byron. Beautifully written in so much as its poetic without being too flowery, its evocative of what I should imagine Venice was like at this time. Occasionally risque verging on the erotic. Whilst personally sentences like "'But my steed is presently resting in his stable.' He pointed at his depleted organ" did little other than make me laugh out loud (perhaps intentionally so) I admit that I found some of the other, less tongue-in-cheek, scenes (the almost sixty year old Casanova seducing the then 13 year old Cecilia to say nothing of Byron's sexual abuse at the hands of his nanny) a bit unpalatable.Though essentially a novel with great potential I'm afraid the lack of narrative tension (despite it being a rather lengthy tome surprisingly little actually happens) made for a rather disappointing read in need of some severe editing. Copyright: Tracy Terry @ Pen and Paper.

Do You like book Carnevale (2001)?

I can't decide if I loved or hated this book - it was beautifully written as ever by Lovric and so well researched, the lives of Cassanova and Lord Byron so well told, but... it was long and drawn out. It does read like a classic and it's romantic - you live through Cecilia's passion and her pain in each page... laboured to the point where I wanted to tell her 'he's just a man!', but then you remember we are in 18th Century Venice and this is the city of passion - and Carnevale! Read it, but read with patience and you will be rewarded. I think actually I did love it, like an old husband who you've grown attached to over time and you'll miss when he's gone. Sweet dreams Cassanova, the cat, Lord Byron, and adoring Cecilia.
—Caroline

This book is very well written, M.R. Lovric makes the sights and smells of Venice come alive, but she loses track around the middle, starts going in circles like a dog chasing its own tale, and the story just gets stuck. You can cut, at least, 100 pages and not miss out on anything important!The story is a journey through decadent Venice from the end of the eighteenth century to the fall of the Republic at Napoleon’s hands. In 1782, the young Cecilia Cornaro is willingly kidnapped by the irresistible Casanova and, with him, discovers not only the joys of lovemaking, but also her gift for painting. As Cecilia blooms into a renowned painter, we follow the turbulent story of Venice´s greatest lover, from his grand days of adulation up to his downfall and subsequent exile. Torn apart by fate, Cecilia drowns her sorrows in her painting and her fame crosses borders, right up to Albania, where she is invited to paint the royal family. Here she meets the cruel and selfish Lord Byron, her second great love, but if she is not careful, this love may destroy her…Like I said above, this book is poetry, its art, it’s a great History lesson, but the author, in certain parts, just gives you an overdose of melodrama which is hard to swallow. None of the characters are likeable – Casanova is a decrepit old man who lives with his head in the clouds and just has no sense of practical life; Byron is cruel, selfish and narcissistic; and Cecilia is the perfect sadomasochist, who doesn´t care for the feelings of her family and many lovers, but goes on a pathetic path of self-destruction with Byron, where she just loses any trace of self-respect. And this is the part which nearly made me put the book aside. There are way too many pages of never-ending sorrow and grief and bitterness over the notorious Lord Byron. Ok, we get the picture! If it weren´t for this, I would give this book a steady 4.
—Margaret

I know; the story could hve been so much, but reminded me of a clean, beautiful, but stagnant pond. The chracters were the draw for me, and the middle was the bit where I found inconsistencies; but by the end I was enchanted, if not completely, as much as I was disturbed.
—Alia

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