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Byzantium (1990)

Byzantium (1990)

Book Info

Author
Genre
Rating
3.97 of 5 Votes: 5
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ISBN
0517058022 (ISBN13: 9780517058022)
Language
English
Publisher
random house value publishing

About book Byzantium (1990)

I have struggled to decide how to rate this book quite a bit and have rated it high despite a few quite integral flaws;It took me a long time to read this book; months where I would normally I get through a good book in days. Honestly, I may never have finished it if it did not relate so very specifically to my historical re-enactment group. I would not normally rate high a book that took that long to read or which I had considered putting down unfinished.Byzantium is copyrighted in the 1980’s, I would guess that it was written in the 70’s because it has that “epic” style of writing that was common at the time. I read a lot of books in the ‘epic’ style of the seventies but I was never a complete fan of the genera.The biggest (compound) flaw actually derives from a main strength of the novel; the plot is too complicated, there are too many characters with too many sub-plots and this causes the story to move way too slowly. This means that put the book down for a day, and when you pick it up you cannot figure out who some of the characters are and you have to back-read to catch up.So how is this a strength? The research that has gone into the novel is stupendous; the characters are hard to follow because they are called by accurate names and titles for the Byzantine Empire at that place and time. The details that I can verify such as Roman cookery, feast presentation, or things based on Archaeological digs, are derived from real information. Given the person who lent it to me (Thanks’ Patrick) I can pretty much be assured that all of the battle details are accurate also.I found the depictions of the Vikings great, the battles and travels were fascinating, I thought the descriptions of Constantinople and The Empire inspired. The first quarter/third of the book was very good but it bogged down in the centre where everything was about convoluted politics and an occasionally annoying love story.The end redeemed it for me though someone who does not like their history over fictionised may not be a fan. I found the last couple of chapters were great, the final chapter in the life of Haraldr Hardraada (which was the final chapter of the book) was well done and I had entertained doubts about how it could be pulled off. The afterword summed it up nicely for me.

This book looked so exciting--Harald Sigurdarson's [known to posterity as Harald Hardrada] years in Constantinople as a Varangian. The writing was very dense and turgid; there was too much graphic violence and sex. I began to be turned off at the description of what was done to "eunuchize" a man. I forced myself to slog on for awhile, then finally gave up about 1/3 through the book. It could have used MUCH more judicious editing; it was much too long. Was the author paid by the word? For the most part, the characters were hateful. A glossary for the Orthodox, Greek, Slavic and Norse terms would have been helpful. I was so disappointed in the book; the premise promised so much and the book delivered so little.

Do You like book Byzantium (1990)?

I read Ennis' other novel, 'The Duchess of Milan,' oh, almost 10 years ago now - and have been wanting to read 'Byzantium' since then. Sometimes I'm a bit slow-moving about things like that, but this book was also quite hard to find. And it weighs about a thousand pounds.Anyway, over the years, quite a lot of anticipation built up regarding this book. I really thought it was going to be great. I have to admit I was rather disappointed. It was just OK. It needed an editor. I love long books, but this one started quite well, and ended quite well, but there was a big, huge chunk of boring in the middle. I also love dramatic writing, and have defended staunchly some writers that others criticize for going over the top (S.P. Somtow, Kathe Koja, Anais Nin). However, the writing in this book was frequently florid and overdone, even for me.The characterization was both vague and jump-y. The protagonist shifts from being a callow lad to a seasoned warrior because the author says so - I didn't really feel it happening. It took me quite a while to really distinguish between the three main women in the story - too often, the characters are merely defined by their perversions, rather than feeling like well-rounded people.Still - I liked a lot about it. The epic follows the life of Haraldr Sigurdarson, heir to the throne of Norway, who travels with the Varangian Guard to Byzantium, and, without the Romans knowing he is the heir, rises to a position of power, and finds love with a noblewoman. As one might expect, there is plenty of 'byzantine' intrigue, battles and violence, lust and insanity. The book follows known historical facts about the characters, but fictionalizes them heavily.Overall, I feel that with a better editor - one who wasn't afraid to rein in some of the more eye-rolling language, eliminate 90% of the uses of the phrase "purple-born," and tighten up the events in the middle of the book to create more dramatic tension, etc - this would have been an excellent book.I have to re-read Duchess of Milan now... I hope it's as good as I remember it being!
—Althea Ann

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