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Billie's Kiss (2003)

Billie's Kiss (2003)

Book Info

Rating
3.32 of 5 Votes: 2
Your rating
ISBN
0099437546 (ISBN13: 9780099437543)
Language
English
Publisher
vintage

About book Billie's Kiss (2003)

I find Elizabeth Knox’s books hard to start. But I’m always rewarded if I can get past the first few chapters – they always seem to take time to warm to them. Knox’s characters and situations seldom lure me in instantly – they seem a bit unlikeable or inaccessible. I have to be willing to get to know them. But I usually am, because ultimately, the story will reveal rewards in its complexity and emotional intelligence.The start of Billie’s Kiss seemed as frosty and remote as the setting on an icy Northern sea. Eventually I found myself intrigued, as always, by Knox’s style. The depth of each main character is slowly revealed - it is interesting to have the inside view of a young woman struggling with the feelings and mannerisms of dyslexia in a time when this condition didn’t have a name. One part of Knox’s realism that I enjoy is the suddenness with which events take place. As unexpectedly as in real life, someone can be dealt a blow. There’s no lead-up, no guidance to the reader that something’s about to happen, we are not given the view that the character cannot see. And there’s no fanfare when it does. A bullet can be as small (though destructive) and abrupt in words as in reality.I wouldn’t say this book was one I really ‘enjoyed’. Rather, I was absorbed by its bleak insular world and before you know it, I was at the end. The ending ‘flash-forward’ annoyed me – it seemed out of place, a huge leap into hyperspace compared with the relatively slow tone of the preceding events. Yet I suppose it is closure, to know what becomes of Billie.

A good read, a romance and a bit of a who-dunnit. Evocative of its own bleak world, but not, I feel of the period or place in which it is set. The determination to keep the prose dense and lyrical can often obscure the narrative and I often found myself puzzled. Portraying an odd collection of characters - none of whom are wholly engaging or sympathetic and without true heroes, many of the relationships are unconvincing and some complex issues of personality, history, ideology, moltive or status, are too suddenly explained or explained away and thus plot points are often unconvincing.I found the connection to Port Sunlight, and the Lever family odd and have yet to fathom a reason for the strong parallels. I could also have done without the loose ends being tied so tightly.I would not seek out Elizabeth Knox, but would read her again should I come across her by chance.

Do You like book Billie's Kiss (2003)?

I only got through 50 pages, so I have little meat for a review. Suffice it to say the writing was bloated with self-importance, the dialogue was choppy, the scenes were brief, & the tone was distant. I suspect these things are meant to translate into "nuanced characterization" & "exploring the depths of human experience" & other academic twaddle. Heck, maybe they do translate to nuanced characterization & exploration of the depths of human experience -- but I'm not the person to confirm or deny such psychological worth. My own philosophy is thus: academic twaddle like this translates into Bad Literary Fiction, thereby earning a one-way ticket to the DNF tag o' doom.Goodbye, bookshelf -- hello, Paperback Swap.
—Sarah

Booklist says: "Set in Scotland in 1903, Knox's novel begins with an explosion--literally. Billie Paxton is traveling with her pregnant sister, Edith, and Edith's husband, Henry, to Stolnsay, where Henry is to be employed by Lord Hallowhulme as a secretary. After Billie shares an impulsive kiss with Henry on the deck of the ship on which they are traveling, she leaps into the sea. Immediately after she jumps, a bomb goes off, and the ship sinks, killing many of the passengers, including Edith. Lord Hallowhulme takes both Billie and Henry in. Lord Hallowhulme's cousin, the handsome, standoffish Murdo Hesketh, was also aboard the ship and is determined to discover the cause of the explosion. At first, he suspects Billie, leading to animosity between the two but also the rise of an undeniable attraction. Murdo doggedly pursues the mystery of the bomb until he comes to a conclusion that surprises even him. Knox's third novel is both ambitious and accomplished, vividly evoking turn-of-the-century Scotland. Her characters are unique and yet somehow familiar, in the sense that they are reminiscent of famous characters in Victorian literature. Filled with rich language and buoyed by a compelling story, this novel should have a wide appeal."
—Nanci

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