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At Large And At Small: Familiar Essays (2007)

At Large and at Small: Familiar Essays (2007)

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Author
Genre
Rating
4.1 of 5 Votes: 2
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ISBN
0374106622 (ISBN13: 9780374106621)
Language
English
Publisher
farrar straus giroux

About book At Large And At Small: Familiar Essays (2007)

At Large and At Small 07182009 Familiar Essays by Anne FadimanBy Raya Madison "lifelong lit lover" (NY USA) - See all my reviewsThis review is from: At Large and At Small: Familiar Essays (Hardcover)Really, it will. In this collection of essays (available separately in other venues, but nestled together with great mutual congeniality in this book), Fadiman begins with her own confessed interests and obsessions--Charles Lamb and Coleridge, ice cream and coffee, arctic exploration and mail delivery, mounting butterflies and flying the flag--and traces a patient, curious path through all sorts of trackless wildernesses (ancient literature, Romantic poetry, familiar essays and out-of-print tomes) to piece together observations that are quietly illuminating not just of the subject matter but the ways Fadiman--quietly, subtly--suggests that books are to read, loves are to be cherished, life is to be lived. The clarity and precision of her prose are breath-taking; readers would never guess that Fadiman's process could entail, as she reveals in one essay, moving paragraphs about in the manner that a pet hamster transports food from one side of his cage to the other. Surprising, rewarding, and deeply interesting, this book is a necessary addition not just to your library but your experience, as it will make you want to read more widely, look more closely, and think more deeply about things, just as Fadiman does.From Publishers WeeklyStarred Review. Fadiman, a National Book Critics Circle Award winner for The Spirit Catches You and You Fall, makes a bold claim: "I believe the survival of the familiar essay is worth fighting for." The "familiar essays" that Fadiman champions and writes are in the mold of the early 19th century, rather than critical or personal works as we've come to know them. Her essays combine a personal perspective with a far-reaching curiosity about the world, resulting in pieces that are neither so objective the reader can't see the writer behind them nor too self-absorbed. And spending some time with Fadiman is a pure delight. She loves the natural world and taxonomies of all kinds, as well as ice cream and coffee. Her love of the romantic age goes beyond the stylistic, and she prefers Coleridge and Lamb over Wordsworth and Southey. The collection rolls good-naturedly through its subjects until the final piece—an account of a whitewater rafting trip that went tragically awry, a harrowing reminder of the stakes on which all endeavors rest. This collection is a perfectly faceted little gem. Essayists, of both the critical and personal sort, could do worse than to follow Fadiman into the realm of the familiar. (May)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.From BooklistFadiman begins her second essay collection by quoting her father, the waggish intellectual of page, radio, and television Clifton Fadiman, lamenting the impending demise of the "familiar essay." Decades later, Anne is happy to report that the essay has survived, even if the familiar essay is now less, well, familiar than the critical or personal essay. A familiar essay is a confiding, inquiring, and witty reflection on a passionately considered subject. This intimate form was perfected by Charles Lamb, a writer Anne adores. With Lamb and her father serving as muses, Fadiman writes funny and keen essays that seemingly without effort mesh the personal with the literary and historical to surprising and edifying ends. Fadiman finds lessons for living in the contemplation of ice cream and coffee, the adventures of an Arctic explorer, and the collecting of butterflies. A master of the tangential, a close observer, and a lover of language, Fadiman is blithely brilliant in her pursuit of beauty and meaning as she wrestles with questions of life, death, and rebirth. Donna Seaman

Essays are a difficult genre--so easy to do badly.* I am not sure when I got hooked on them, but think I have to credit EB White [of the New Yorker/ Struck & White /Charlotte's Web]. White is one of the few who cannot write a bad sentence, even when he can write an essay I don't care about. Anne Fadiman, daughter of Clifton, is a scholarly writer who tangle erudition with homely reflections (topics like ice cream, coffee addiction, moving) with a comfortable and easy hand. I particularly liked the piece on Vilhjalmur Stefansson, an Arctic explorer who wrote a booked called The Friendly Arctic. Fadiman marvels that anyone would find tromping across the icy wastes a genuinely enjoyable experience. She marvels at his pleasure in sub zero temperatures, living on seal fat and skipping personal hygiene. She is able to hold on to that admiration while at the same time recognizing that Stefansson may have been responsible for the death of eight crewmen during a failed expedition. This struck me as the fair but difficult task of accepting the whole man, rather than selectively choosing the attractive bits. I found myself staring into space, considering her reactions, wondering if the explorer was merely egocentric and not simply an unconventional spirit.... Any essay that encourages me to stare into space, considering what was said, gets a star or two. Not all of Fadiman's essays are thought provoking. They are not 'casuals' (the pieces written by the heroes of the old New Yorker for pleasure brief, light reading): Fadiman researches her topics (Source Notes are provided). But they are all pleasurable and interesting. They go well with the ritual of reading before you turn out the light at night or immersing yourself in during the commute. They go well with a bowl of ice cream or a cup of coffee. *Essays 'easy to do badly' include book reviews--which is one of the reasons I appreciate Goodreads. Uncommonly high number of really good, pleasurable-to-read reviews on this site!

Do You like book At Large And At Small: Familiar Essays (2007)?

Some of these essays are good enough to be studied as models in essay writing. This collection is definately a worthy follow-up of her first collection of essays, Ex Libris.There are plenty of things that make her essays so wonderful: Her passion for her interests (and some of them are charmingly idiosyncratic), coupled with her skills as a writer, go a long way in making them readable, even if you don't share in those interests particularly. She combines a nostalgia for her childhood that is at once particular and unique to herself but also has a universal quality. She makes a point of analyzing her own feelings and reactions, but also liberally blends in quotes from other sources. She sprinkles her writing with educated references to the sort of writers and cultural icons that a member of the intelligentsia would've used 60 years ago. In content, in structure, and in tone, these essays are very traditional. Two standouts in this collection are "Procrustes and the Culture Wars", an essay on the controversy about the ultimate purpose in reading the classics and "A Piece of Cotton", the reaction and re-evaluation of patriotism after the 9/11 attacks. Both essays are brilliant.
—Mickey

Over the last several years, I must have given close to a dozen copies of Anne Fadiman's previous essay collection, "Ex Libris", to various friends. It's the kind of book you just have to share with others. It didn't seem possible that another collection could match the perfection of the first, but this one comes pretty close.Essays in the first collection focused on topics related to books and reading; the author's lifelong passion for reading shone through on every page and should resonate with any reader sharing her addiction to books. In this new collection, Fadiman demonstrates an ability to write engagingly on a wide variety of topics. Coffee, ice-cream, moving, the life of Coleridge, the essays of Charles Lamb - Fadiman expounds charmingly on these topics, and several others, making it seem easy. Like Malcolm Gladwell, she can make any topic she writes about fascinating.Of course, writing essays so polished they sparkle like gems is anything but easy. It is a testament to Fadiman's skill as a writer that she makes it seem effortless.Though I didn't find it as extraordinary as "Ex Libris", I still don't hesitate to give it 5 stars.
—David

I love Anne Fadiman's writing, and to anyone who reads this, you should, too! Just when the world is getting too depressing for words (enough with the wars and politics), along comes this wonderful book of "familiar essays" (you know, as opposed to the unfamiliar ones...), covering topics as varied as Charles Lamb ("The Unfuzzy Lamb"), the author and her brother's childhood museum of scientific and bizarre curiosities ("Collecting Nature"), ice cream (of the same name), and moving (ditto). All are written in the most elegant and simultaneously accessible writing, much of it really funny (the one exception to "funny" is the last essay in the book, the moving and poignant "Under Water"). Ms. Fadiman is brainy (Harvard) and probably what one would call "over educated," but boy does she put all the brain cells to good use. This book contains many expensive words (if I'd been energetic I would have written down some examples - needless to say, I wasn't energetic...), so the Harvard tuition didn't go to waste. She's also published another book of essays, "Ex Libris," the general theme of which is The Love of Reading, and is the author of the more well known "The Spirit Catches You and You Fall Down." All three of her books are terrific - now, run don't walk to your nearest book store or library.
—Margaret

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