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And So To Murder (1993)

And So to Murder (1993)

Book Info

Genre
Rating
3.52 of 5 Votes: 5
Your rating
ISBN
0745164323 (ISBN13: 9780745164328)
Language
English
Publisher
chivers north america

About book And So To Murder (1993)

Monica Stanton, a young writer of racy novels, is hired as a screenwriter at a big studio, and is naturally very excited. However, a series of acid attacks, which seemingly target Monica, puts a damper on the occasion. Monica, dazzled by her new career in the film industry, is determined to stay put, but the attacks only escalate...This is one of those Carter Dickson/John Dickson Carr novels which are less contained than most. Whereas most are confined to a single structure and has a set number of characters, it's less prominent in this one. Its action takes place in a few different locations, and even though we're dealing with a set number of *suspects*, there are plenty of other, less important characters around, and though perhaps not all of them are vital to the plot, they make the book seem fuller somehow. And a pair of them that are exceptionally funny and who appear every now and then between the sinister scenes of plotting and murder makes this one of the more lighthearted Dickson Carr novels, and I like that a lot, it balances things out nicely.A wonderful plot as always, with exceptional red herrings.Recommended.

An interesting mystery set during wartime and involving a movie studio. The detective here, Sir Henry Merrivale, actually appears very little in the story. In fact, he doesn't show up at all until halfway through the book, and then at the end to solve the crime. Our main characters instead are two writers, one who writes mysteries and one who has written a faintly scandalous romance. Monica Stanton and Bill Cartwright are hired to work on movie scripts, and someone on the set seems bent on killi

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I almost gave this three stars, as I liked it but there again I have given many better books three stars. It is very readable and the charcaters quite striking, the plot (fairly)plausible. Successful young writer Monika Stanton is invited to the famous studios of Albion Films to write the film script, not as it turns out of her novel, as she had expected, but of the whuddunit of a (horrors!) bearded man whom she detests before she even sees. A real life detective mystery develops as someone at the studios for an inexplicable reason seems to be set on destroying Monika or driving her away from the beginning of a promising career. Whom can she trust? This is an engorssing enough read, but like so much of the time in which it was written (the 1950's) is enthused with a heartiness I personally find irritating. However, it is a pleant enough way of passing the time on a long train journey or in the doctor's waiting room with enough suspense to kill unwanted time but with no unsettling profundity threatening to interfere with the normal course of one's life or cause sleepless nights.
—Esdaile

Oh, Mr. Carr, what have you done? if I had rated this book 4/5ths in I would have given it 5 stars unreservedly. it has everything I want in a non-supernatural/atmospheric Carr: interesting premise, fun dialogue, colorful characters, made all the better for its (seems to me, and tinged with a meta reflection on the book's genre-ness itself) B-Movie studio setting. On top of that, I thought it would be fun to see if Carr used the book to air out some of his personal frustrations with the film industry. But around 4/5ths of the way in, the story screeches to a halt and HM comes in and spends the last fifth explaining everything. There wasn't even ever a murder. Great start, poor ending.
—Berry

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