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A Small Town In Germany (2008)

A Small Town in Germany (2008)

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3.75 of 5 Votes: 3
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English
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About book A Small Town In Germany (2008)

The small town is Bad Godesburg, more a suburb of Bonn for diplomats in the fifties when Berlin was the divided city of intrigue but not the capital of the newly created West Germany. An Anglo German, Leo Harting, one of those children who were sent to England with only a luggage label for company before the Nazis closed the borders has been a second secretary at the embassy but has disappeared. While the diplomats try to cover up, an experienced investigator, Turner is sent from England because embassy files have also disappeared. The narrative is form the point of view of Turner, who is lower class, ‘a Bevin boy’ and instantly unpopular at the embassy whereas Harting is everyone’s ‘nice man’, entertaining, charming and confiding; one who made everyone feel special.The novel is one of le Care’s earliest but after I felt that the opening chapters were dated in their descriptions of characters by their clothes and physiques, although this fitted well the rigid class structure of the embassy world, the following chapters crackle with the electricity of interrogation as each one id devoted to a single character who is subtly manipulated into revealing what he or she did not want to reveal. Gradually the character of the missing Harting emerges and things get much more serious as Turner tries to find a pattern in the missing files, because a spy does not steal. One week previously Harting had changed character; he had become angry; why? Jenny Pargiter thought he loved her, and then she felt he was stalking her. Suddenly Harting is seen at the railway station and le Carre accelerates the pace in the second half of the novel when things happen.There are no red herrings in the clues that are found and le Carre obeys Chekhov’s rule of the gun in act one needing to be used in act three. The surprises are dramatic and effective. Although an early novel, it is just as political and moral as later ones like The Constant Gardener. Here there is the irony that the lack of power also corrupts. The comparison of the activists with the diplomats is both subtle and devastating: none escapes a whipping.

I’ll warn you, it starts slow. But then it takes you screaming down odd twisted paths and leaves you dumped at the end of the line, wholly unsatisfied, but ready to read another book by John le Carre.There, my one-paragraph review of “A Small Town in Germany,” the first of le Carre’s books I’ve read, following my long-standing policy of reading books that typically come to me through thrift store purchases, outright donations or are discovered being smuggled into the house baked inside loaves of bread.The one sympathetic character in the book is the one you don’t get to meet. The rest of them are anti-heroes at best, schemers at worst – which is probably an accurate reflection of the seedier side of mankind – the decent guy is the one you never meet. But then he’s not decent, then, is he? I won’t spoil any plots, but be ready to discover there are no white hats in this roundup.I’ll ding it one star for crude sexual references that add nothing to the plot nor to the overall contemptible anti-hero’s persona. The book, and its characters, are brutal, brutish, ugly and inhuman, as inhuman as the Nazis who inevitably become the book’s shadow villains. Nazis, of course, are perfect villains, because that’s their shtick. “Nazis. I hate these guys,” is an apt line to steal from Indiana Jones when reading this book.Le Carre has an interesting style. No one is omniscient in this book. We learn along with the characters, and as little as possible, to boot. Nor are we left with a clear-cut understanding as to how the plot is sewn together. There is much left unsaid that le Carre leaves to the reader to fill in. That’s admirable in a spy novel, because the true impulse is to wrap up everything in a neat package at the end like an Agatha Christie novel. The flaw with that premise is that life rarely comes in such neatly-wrapped packages. Le Carre captures that frustration well, and plays it to great narrative advantage.

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A low-level German-born staffer in the British embassy in 1960s Bonn disappears along with several dozen files which may prove crucial to the UK's gaining admittance to the European Common Market. Set during the student riots in West Germany, when politicians flirted with both East and West, there are elements in this novel which still ring true today. Inept diplomats and their even more stultifying staff each scramble to protect their own turf, damn the consequences for the country they are supposed to be serving, even including illicit affairs. The world weary players trudge through their monotonous lives with the sole hope of retiring comfortably on a government pension. Meanwhile, revolution is in the air, stirred up by a larger than life German who may not be all he seems. Did the staffer defect to Russia or East Germany? Did he take the files with him? What was in the files? Does it all matter or can it be swept under the rug? And, the issue most concerning the embassy, can we keep the Germans from finding out about the disappearance so they don't realize just how blazingly incompetent we are? Le Carré's unromantic cynicism, developed in his previous novels, is on full display here.
—Darin

Of the first five books that I've read from Le Carre, this was the hardest to get through. That is not typically the start of a great review, but I assure you it was a much better book than the length of time to read it would indicate (as compared to my average read time). In fact, I'd go so far as to say this was my second favorite of the books I've read (The Spy Who Came In from the Cold being my favorite).The more I read of Le Carre, the more I realize that to classify him exclusively as a spy novelist is to sell what he does short. In reading these novels I've come to understand how his style has influenced the writing styles of people in this genre. I appreciate the subtlety present in his writing. I also appreciate that he doesn't feel compelled to rely on pacing to create tension- he allows his stories to breathe, meander, and develop. There is a large psychological element to his writing that exists despite never overtly utilizing the typical constructs.Perhaps the thing I find most striking in his work is how his books end with the reader left to draw his or her own conclusions related to the protagonists and antagonists. He doesn't beat the reader over the head with good guys and bad guys. The good guys don't always win and the bad guys don't always die. In fact, I think one can't help but realize that intelligence work is inherently fraught with ambiguity as a result of reading his books. This certainly would turn some people off, but I find it enthralling.As I mentioned, this was probably my second favorite novel I've read during this mini-binge. I thought that Turner, one of the central characters, was a fascinating study and enjoyed tying to peer into his mind. The story wasn't what it appeared at first to be, but didn't stray so far that I felt misled by the first 50 pages. The other characters in the book were unique and treated to enough space to be able to develop personalities and traits that made their interactions with Turner rewarding as he tried to get his job done. Ultimately, I thought this was a rewarding read and would recommend it to others.
—Alec

This is not the most accessible le Carre, but that doesn't mean it isn't a very good read. I started slowly as I could only read a few pages at night, and that meant I was hopelessly lost. I started again when I got on a long plane journey, and then it was much easier to retain the key facts and follow the dialogue. As it features many 'dips' (diplomats, not pickpockets) the dialogue is often contorted. And the final scene still puzzles me. I completely trust his knowledge of this world, and his description at times of Bonn reminded me of Joseph Conrad's description of London in the Secret Agent: like an aquarium with the water drained out of it. Worth reading for sure, but try to allocate it the time and attention it requires.
—Katherine Kreuter

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