Things You Should Know: A Collection of Stories

Things You Should Know: A Collection of Stories

by A M Homes
Things You Should Know: A Collection of Stories

Things You Should Know: A Collection of Stories

by A M Homes

Paperback(First Perennial Edition)

$15.99 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

A New York Times Notable Book

"Haunting, disturbing, often radiantly intense, these protean stories change shape as if they are made of fire. They are on the side of things lost, they are pushed by the emergency of our lives–yet in the dazzle of their language there is a wonderful stillness, and consolation." —Andrea Barrett

In this stunningly original collection, A. M. Homes writes with terrifying compassion about the things that matter most. Homes's distinctive narrative illuminates our dreams and desires, our memories and losses, and demonstrates how extraordinary the ordinary can be. With uncanny emotional accuracy, wit, and empathy, Homes takes us places we recognize but would rather not go alone.


Product Details

ISBN-13: 9780060520137
Publisher: HarperCollins
Publication date: 09/02/2003
Series: Harper Perennial Series
Edition description: First Perennial Edition
Pages: 224
Product dimensions: 5.31(w) x 8.00(h) x 0.50(d)

About the Author

A.M. Homes is the author of the novels The End of Alice, In a Country of Mothers, and Jack, as well as the short-story collection The Safety of Objects and the artist's book Appendix A. Her fiction has been translated into eight languages, and she is the recipient of numerous awards, including a Guggenheim Fellowship and a National endowment for the Arts Fellowship. Her fiction and nonfiction appear in magazines such as The New Yorker and Artforum, among others, and she is a contributing editor at Vanity Fair, Mirabella, Bomb, Blind Spot, and Story. She teaches in the writing programs at Columbia University and The New School and lives in New York City.

Read an Excerpt

Things You Should Know
A Collection of Stories

The Chinese Lesson

I am walking, holding a small screen, watching the green dot move like the blip of a plane, the blink of a ship's radar. Searching. I am on the lookout for submarines. I am an air traffic controller trying to keep everything at the right distance. I am lost.

A man steps out of the darkness onto the sidewalk. "Plane gone down?" he asks.

It is nearly night; the sky is still blue at the top, but it is dark down here.

"I was just walking the dog," he says.

I nod. The dog is nowhere to be seen.

"You're not from around here are you?"

"Not originally," I say. "But we're over on Maple now."

"Tierney," the man says. "John Tierney."

"Harris," I say. "Geordie Harris."

"Welcome to the neighborhood. Welcome to town."

He points to my screen; the dot seems to have stopped traveling.

"I was hoping to hell that was a toy -- a remote control," he says. "I was hoping to have some fun. Are you driving a car or floating a boat somewhere around here?"

"It's a chip," I say, cutting him off. "A global positioning screen. I'm looking for my mother-in-law."

There is a scratching sound from inside a nearby privet, and the unmistakable scent of dog shit rises like smoke.

"Good boy," Tierney says. "He doesn't like to do his business in public. Can't blame him -- if they had me shitting outside, I'd hide in the bushes too."

Tierney -- I hear it like tyranny. Tyrant, teaser, taunting me about my tracking system, my lost mother-in-law.

"It's not a game," I say, looking down at the blinking green dot.

A yellow Lab pushes out of the bushes and Tierney clips the leash back onto his collar. "Let's go, boy," Tierney says, slapping the side of his leg. "Good luck," he calls, pulling the dog down the road.

The cell phone clipped to my belt rings. "Who was that?" Susan asks. "Was that someone you know?"

"It was a stranger, a total stranger, looking for a playmate." I glance down at the screen. "She doesn't seem to be moving now."

"Is your antenna up?" Susan asks.

There is a pause. I hear her talking to Kate. "See Daddy. See Daddy across the street, wave to Daddy. Kate's waving," she tells me. I stare across the road at the black Volvo idling by the curb. With my free hand I wave back.

"That's Daddy," Susan says, handing Kate the phone.

"What are you doing, Daddy?" Kate asks. Her intonation, her annoyance, oddly accusatory for a three-year-old.

"I'm looking for Grandma."

"Me too," Kate giggles.

"Give the phone to Mommy."

"I don't think so," Kate says.

"Bye, Kate."

"What's new?" Kate says -- it's her latest phrase.

"Bye-bye," I say, hanging up on her.

I step off the sidewalk and dart between the houses, through the grass alley that separates one man's yard from another's. A sneak, a thief, a prowling trespasser, I pull my flashlight out of my jacket and flick it on. The narrow Ever Ready beam catches patios and planters and picnic tables by surprise. I am afraid to call out, to attract attention. Ahead of me there is a basketball court, a slide, a sandbox, and there she is, sailing through my beam like an apparition. Her black hair blowing, her hands smoothly clutching the chain-link ropes of the swing as though they were reins. I catch her in mid-flight. Legs swinging in and out. I hold the light on her there and gone.

"I'm flying," she says, sailing through the night.

I step in close so that she has to stop swinging. "Did you have a pleasant flight, Mrs. Ha?"

"It was nice."

"Was there a movie?"

She eases herself off the swing and looks at me like I'm crazy. She looks down at the tracking device. "It's no game," Mrs. Ha says, putting her arm through mine. I lead her back through the woods. "What's for dinner, Georgie?" she says. And I hear the invisible echo of Susan's voice correcting -- it's not Georgie, it's Geordie.

"What would you like, Mrs. Ha?"

In the distance, a fat man presses against a sliding glass door, looking out at us, his breath fogging the pane.

Susan is at the computer, drawing. She is making a map, a grid of the neighborhood. She is giving us something to go on in the future -- coordinates.

She is an architect, everything is line, everything is order. Our house is G4. The blue light of the screen pours over her, pressing the flat planes of her face flatter still -- illuminating. She hovers in an eerie blue glow.

"I called Ken," I say.

Ken is the one who had the chip put in. He is Susan's brother. When Mrs. Ha was sedated for a colonoscopy, Ken had the chip implanted at the bottom of her neck, above her shoulder blades. The chip company specialist came and stood by while a plastic surgeon inserted it just under the skin. Before they let her go home, they tested it by wheeling her gurney all over the hospital while Ken sat in the waiting room tracking her on the small screen.

"Why?"

"I called him about her memory. I was wondering if we should increase her medication."

Ken is a psychopharmacologist, a specialist in the containment of feeling. He used to be a stoner and now he is a shrink. He has no affect, no emotions.

"And?" she says.

"He asked if she seemed agitated."

"She seems perfectly happy," Susan says.

"I know," I say, not telling Susan what I told Ken -- Susan is the one who's agitated.

"Does she know where she is?" Ken had asked. There had been a pause, a moment where I wondered if he was asking about Susan or his mother. "I'm not always sure," I'd said, failing to differentiate.

Things You Should Know
A Collection of Stories
. Copyright © by A Homes . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Table of Contents

The Chinese Lesson1
Raft in Water, Floating21
Georgica29
Remedy58
Rockets Round the Moon91
Please Remain Calm123

What People are Saying About This

Michael Cunningham

“A.M. Homes never plays it safe and it begins to look as if she can do almost anything.”

Andrea Barrett

Haunting, disturbing, often radiantly intense, these protean storieschange shape as if they are made of fire.

Robert Stone

“A. M. Homes is certainly among the most important young writers working now”

Reading Group Guide

Introduction

Lauded as one of the most daring writers working today Things You Should Know fearlessly explores the uncomfortable crevices of adolescence, marriage, reality, and beyond. Homes's distinctive narratives illuminate our dreams and desires, our memories and losses, and our profound need for connection, and demonstrate how extraordinary the ordinary can be. An expert literary witness, A. M. Homes takes us places we would not go alone and brings us back -- always with uncanny emotional accuracy, wit, and empathy. She is one of the master practitioners of American fiction, and Things You Should Know is a landmark collection.

Discussion Questions

  1. Geordie in "The Chinese Lesson," the desperate daughter in "Remedy," the death-obsessed husband in "Please Remain Calm," the narrator in "Things You Should Know," the husband in "Do Not Disturb" -- these stories feature characters who feel disconnected and have a profound sense that "something is missing," but they don't quite know just what. Discuss what you think is missing in their lives. Can these characters do anything about their situation? Or are they stuck because they don't have the emotional "tools" to change? The woman in "Georgica" has decided that what she's missing is a child. Do you agree? Will a child fix her life?

  2. "Raft in Water, Floating": In a gated community, an anorectic, neglected girl floats in the pool, barely noticed by her self-absorbed family members. She passively accepts when a boy comes along and slips one hand beneath her swimsuit and the other into his pants. When he is finished, she asks, "Do you like me for who I am?" "Do you want something toeat?" he replies. Later, she watches her parents through the sliding glass door, waiting for them to notice she is there and let her in. When she finally goes inside, her father says, "It's a wonder you don't just shrivel up and disappear." Given her interactions with the boyfriend and her family, has she already disappeared? Is her anorexia a physical way of disappearing? That night, a shape shifting woman appears while she is floating in the pool again. What is the purpose of this character? Does she present any possibilities of change to the girl?

  3. In "Georgica," a woman recovering from a traumatic car accident at the hands of her ex-fiancé supplies a group of summer lifeguards with condoms, stalks them with night vision glasses as they have sex on the beach, collects the discarded sperm-filled condoms, and injects herself with the semen. Do you think this woman is unbalanced, or is she practical? Before she dies, her grandmother tells the woman, "I never would have married if I could have gotten out of it." Do you think the woman takes this as permission to not get married? Or is she pursuing this unconventional method of pregnancy because she only finds "pot bellies, bad manners, stupidity" when she looks for a man? Do you think this kind of disillusionment is typical of dating when in the thirties and forties? Is it wrong for a woman not to tell a man he has fathered a child? What are the ramifications of withholding this information? Discuss the pros and cons of single motherhood. Will this woman be a good mother? What role does or will the policeman play in the woman's life?

  4. "Rockets Round the Moon": A twelve-year-old boy, shunted aside by his self-absorbed divorced parents, has taught himself "to be a person whom people like to have around." What do you see in future for this boy? Does his belief that he is unlovable if he is not useful cripple or prepare him for the future? Do his "people-pleasing" qualities remind you of traditional female social conditioning? The boy clings to the seeming normalcy of his father's next-door neighbors, idealizing his precocious friend Henry and his family, until Henry's father's accidental killing of a young boy dislocates them too. Henry begins to dress like the dead boy, his father's guilt drives him to self-immolation -- the family is irrevocably changed. Is the boy or Henry better suited to deal with this tragedy, and tragedy in general? Who is most likely to recover and return to "normal?" The boy is comfortable and comforted by Henry's turmoil: "From the floor I could smell the noxiousness of its mixture [Henry's vomit], hot and rich, like some hearty soup a grandmother would serve on a winter night." When they debark from the rocket ride at the end, the ticket man says to them, "Go back where you belong. Go home." Has the tragedy in the Heffelfinger family made it possible for the boy to finally have a true "home," to belong somewhere? If so, where is that and why?

About the Author

A.M. Homes' fiction has been translated into eight languages, and she is the recipient of numerous awards, including a Guggenheim Fellowship and a National Endowment for the Arts Fellowship. Her fiction and nonfiction appear in magazines such as The New Yorker and Artforum, among others, and she is a contributing editor at Vanity Fair, Mirabella, Bomb, Blind Spot, and Story. She teaches in the writing programs at Columbia University and The New School and lives in New York City.

From the B&N Reads Blog

Customer Reviews