The Flight of Gemma Hardy

The Flight of Gemma Hardy

by Margot Livesey
The Flight of Gemma Hardy

The Flight of Gemma Hardy

by Margot Livesey

Paperback(Reprint)

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Overview

New York Times Bestseller

“An exceptionally well-plotted, well-crafted, innovatively interpreted modern twist on a timeless classic, one that’s sure to delight the multitudes of Brontë fans, and the multitudes of fans that Livesey deserves.” —The Boston Globe

“A suspenseful, curl-up-by-the-fire romance with a willfully determined protagonist who’s worthy of her literary role model.” — People

The resonant story of a young woman’s struggle to take charge of her own future, The Flight of Gemma Hardy is a modern take on a classic story—Charlotte Brontë’s Jane Eyre—that will fascinate readers of the Gothic original and fans of modern literary fiction alike, with its lyrical prose, robust characters, and abundant compassion. 

Set in early 1960s Scotland, this breakout novel from award-winning author Margot Livesey is a tale of determination and spirit that, like The Three Weissmanns of Westport and A Thousand Acres, spins an unforgettable new story from threads of our shared, still-living literary past.


Product Details

ISBN-13: 9780062064233
Publisher: HarperCollins
Publication date: 06/26/2012
Series: P.S. Series
Edition description: Reprint
Pages: 464
Sales rank: 219,362
Product dimensions: 5.30(w) x 7.90(h) x 1.20(d)

About the Author

About The Author
Margot Livesey is the New York Times bestselling author of the novels The Flight of Gemma Hardy, The House on Fortune Street, Banishing Verona, Eva Moves the Furniture, The Missing World, Criminals, and Homework. Her work has appeared in the New Yorker, Vogue, and the Atlantic, and she is the recipient of grants from both the National Endowment for the Arts and the Guggenheim Foundation. The House on Fortune Street won the 2009 L. L. Winship/PEN New England Award. Born in Scotland, Livesey currently lives in the Boston area and is a professor of fiction at the Iowa Writers’ Workshop.

Hometown:

Boston, Massachusetts

Date of Birth:

July 24, 1953

Place of Birth:

Perth, Scotland

Education:

B.A. in English and philosophy from the University of York, England

Read an Excerpt

The Flight of Gemma Hardy

A Novel
By Margot Livesey

HarperCollins

Copyright © 2012 Margot Livesey
All right reserved.

ISBN: 9780062064226


Chapter One

We did not go for a walk on the first day of the year. The Christmas
snow had melted, and rain had been falling since dawn, darkening
the shrubbery and muddying the grass, but that would not have
stopped my aunt from dispatching us. She believed in the benefits of
fresh air for children in all weather. Later, I understood, she also
enjoyed the peace and quiet of our absence. No, the cause of our not
walking was my cousin Will, who claimed his cold was too severe to
leave the sitting room sofa, but not so bad that he couldn't play cards.
His sister Louise, he insisted, must stay behind for a game of racing
demon.
I overheard these negotiations from the corridor where I loitered,
holding my aunt's black shoes, freshly polished, one in each hand.
"In that case," said my aunt, "Veronica and Gemma can walk to the
farm to collect the eggs."
"Oh, must I, Mum?" said Veronica. "She's such a—"
The door to my uncle's study was only a few feet away, across the corridor.
Hastily I opened it, stepped inside, and shut out whatever came
next. Not long ago this room had been the centre of the house, a place
brightened by my uncle's energy, made tranquil by his concentration as
he worked on his sermons, but last February, skating alone on the river
at dusk, he had fallen through the ice, and now I was the only one who
spent any time here, or who seemed to miss him. Just inside the door was
a pyramid of cardboard boxes, the remains of my aunt's several recent
purchases. But beyond the boxes the room was as he had left it. His pen
still lay on the desk beside the sermon he'd been preparing. At the top of
the page he had written: "Sunday, 16 February a.d. 1958. No man is an
island." A pile of books still sat on the floor next to his chair; the dead
coals of his last fire crumbled in the grate. To my childish fancy, the
room mourned him in a way that no member of his family did, certainly
not my aunt, who dined out two or three times a week, played bridge
for small sums of money, and since the season started, rode to hounds
whenever she could. At breakfast that morning, she had said I must no
longer call her Aunt but ma'am, like Betty the housemaid.
Setting the shoes on the floor and trying not to imagine how
Veronica had finished her sentence—such a copycat? such a moron?—I
read over my uncle's opening paragraph. "We each begin as an island,
but we soon build bridges. Even the most solitary person has, perhaps
without knowing it, a causeway, a cable, a line of stepping-stones,
connecting him or her to others, allowing for the possibility of
communication and affection." As I read the familiar phrases I pictured
myself as a small, verdant island in a grey sea; when the tide went out,
a line of rocks surfaced, joining me to another island, or the mainland.
The image bore no relation to my present life—neither my aunt nor my
cousins wanted any connection with me—but I cherished the hope
that one day my uncle's words would prove true. Someone would
appear at the other end of the causeway.
I stepped over to the bookcase and pulled down one of my favorite
books: Birds of the World. Each page showed a bird in its natural
habitat—a puffin with its fat, gaudy beak, peering out of a burrow,
a lyre-bird spreading its tail beneath a leafy tree—accompanied by
a description. Usually I read curled in the armchair beside the fire,
conjuring an imaginary warmth from the cold embers, but today, not
wanting to reveal my presence by turning on the light, I settled myself
on the window-seat. Pulling the heavy green curtain around me, I flew
away into the pictures.
Long before Veronica's remark, even before my uncle's death, I
would have said that the only thing I shared with my oldest cousin was
an address: Yew House, Strathmuir, Perthshire, Scotland. At fourteen,
Will was a thick-necked, thick-thighed boy who for the most part
ignored me. Sometimes, when he came upon me in the corridor or the
kitchen, an expression of such frank surprise erupted across his face
that I could only assume he had forgotten who I was and was trying to
guess. A servant? Too small. A burglar? Too noisy. A guest? Too badly
dressed. I had seen the same expression on my uncle's face when he
watched Will play football, as if he were wondering how this hulking
ruffian could be his son. But their blue eyes and long-lobed ears left no
doubt of their kinship. My uncle had once shown me a photograph of
himself with his brother, Ian, who had died in his early twenties, and
my mother, Agnes, who had died in her late twenties. "Thank goodness
she was spared the Hardy ears," he had said.
With Louise and Veronica, however, I had a history of affection.
Until last summer the three of us had attended the village school, walking
the mile back and forth together. Although Louise was two years
older, I had often helped her with her arithmetic homework. I had also
endeared myself by giving her my turns on Ginger, the family pony,
an act of pure self-interest that she took as a favour. But in July my
aunt had announced that her daughters, like their brother, would go
to school in the nearby town of Perth. Suddenly they had other friends,
and I walked to school alone. Meanwhile the dreaded Ginger had been
sold, and Louise now had her own horse. She had tried to convert me
to her equine cult by lending me Black Beauty and National Velvet. So
long as I was reading I understood her enthusiasm, but as soon as I was
in the presence of an actual horse, all teeth and hooves and dusty hair,
I was once again baffled.
As for Veronica, who was only six months my senior, she and I
had been good friends until she too developed alien passions. Now
she was no longer interested in playing pirates, or staging battles
between the Romans and the Scots. All her attention was focused on
fashion. She spent hours studying her mother's magazines and going
through her wardrobe. She refused to wear green with blue, brown
with black. Any violation of her aesthetic caused her deep distress.
When my aunt bought a suit she didn't approve of, Veronica retired
to bed for two days; my appearance, in her sister's cast-offs, was a
kind of torture. Her father had teased her about these preoccupations
in a way that held them in check. Without him, she too had
become a fanatic.
Despite these changes I had, until the previous week, believed that
Louise and Veronica were my friends, but the events of Christmas
Eve had forced me to reconsider. For as long as I could remember,
the three of us had spent that afternoon running in and out of each
others bedrooms, getting ready for the party given by the owners of
the local distillery. Last year I had drunk too much of the children's
punch and won a game that involved passing an orange from person
to person without using your hands; I had been looking forward to
defending my victory. But on the morning of the twenty-fourth, when
I had asked Louise if I could borrow her blue dress again, my aunt had
paused in buttering her toast.
"What do you need a dress for, Gemma?"
"It's the Buchanans' party tonight. Don't you remember, Aunt?"
I jumped up to retrieve the invitation from the mantelpiece where it
had stood for several weeks and held it out to her. "Yes," said my aunt,
"and who is this addressed to? The Hardy family. That means Will and
the girls and me." She reached for the marmalade. "You'll stay here
and help Mrs. Marsden. You can start by doing the washing-up."
"Anyway I won't lend you the dress," Louise added. "You'd just spill
something on it."
If she had sounded angry I would have argued, but like her mother,
she spoke as if I were barely worth the air that carried her words.
Without further ado the two of them turned to talking about where they
would ride that day. Abandoning my toast, I marched out of the room.
Mrs. Marsden, the housekeeper, was the only member of the household
whose behaviour towards me had not changed after my uncle's
death. She continued to treat me with the same briskness she had
always shown. She had arrived in the village the year after I did and
rented the cottage on the far side of the paddock. Then my aunt had
an operation—she can't have any more babies, Louise announced
cheerfully—and during her convalescence Mrs. Marsden had become
a fixture at Yew House. She had grown up in the Orkneys and could,
sometimes, be lured into telling stories about the Second World War,
or seals and mermaids. Helping her, I told myself, was infinitely
preferable to being a pariah at the party.
But as I watched Louise and Veronica trying on dresses, ironing,
and doing their hair, I had felt increasingly left out. Although Mrs.
Marsden's own wardrobe consisted of drab skirts and twinsets, she
was regarded as an excellent judge of fashion, and the two girls ran in
and out of the kitchen, asking, Which necklace? The blue shoes or the
black? When I momentarily forgot myself and seconded her in urging
the blue, Louise did not even glance in my direction, and I saw her
nudge Veronica when she thanked me. Suddenly I was no good even
for praise. By the time they came in to display themselves one final
time, I was peeling chestnuts for the stuffing and determined not to
utter another word, but that didn't stop me from staring.
In the last year Louise, as visitors often remarked, had blossomed.
She carried her new breasts around like a pair of deities seeking rightful
homage. Privately I called them Lares and Penates, after the Roman
household gods. Veronica was, like me, still flat as a board, but her lips
were full and her hair was thick and wavy. In their finery, with their
glittering necklaces and handbags, the two sisters could have been on
their way to the Lord Mayor's Ball. That Louise could scarcely walk in
her high heels, that Veronica had applied so much of her mother's rouge
that she seemed to have a fever, only heightened the transformation.
"You both look very nice," pronounced Mrs. Marsden. "The green
is most becoming, Louise. Veronica, your hair is lovely."
I was reaching for another chestnut as my aunt sailed in, wearing
blue velvet, her golden hair piled high. "My gorgeous girls," she said,
putting an arm around each. She was still praising them when Will
appeared. At once she released her daughters. "My dashing young man."
None of them seemed to notice that my uncle was missing. The
previous year, when I wasn't passing oranges and playing games, I had
watched him as he danced. Later, from memory, I had drawn a picture
of him, looking like a Highland chieftain in his kilt and sporran; it had
stood on his bookshelf until my aunt threw it on the fire. Now he was
gone, and all they could think about was their fancy clothes. In my
fury the knife slipped from the chestnut into my finger. My gasp drew
a flurry of attention.
"Hold your hand above your head," ordered Mrs. Marsden.
"Move the chestnuts," said my aunt.
"Bloody idiot," said Will, snickering at the double meaning.
His sisters made noises of disgust until my aunt hushed them. "Let
the dogs out last thing," she told me. "And be sure to leave the porch
light on."
Heels clicking, skirts swishing, they disappeared down the corridor.
Mrs. Marsden bandaged my finger and said she would finish the chestnuts.
She must have felt sorry for me, because she told a story about an
Italian prisoner of war who had been brought to the Orkneys in 1942
and fallen in love with a local girl. He couldn't speak English, so he
courted her by singing arias. After the war he was sent back to Naples.
"We all thought we'd seen the last of him," said Mrs. Marsden. "But a
year later Fiona heard a familiar voice. She looked out of her bedroom
window and there he was, kneeling in the road, singing and holding a
ring."
By seven-thirty everything that could be prepared for the next day's
dinner was ready. Mrs. Marsden untied her apron with a flourish and
wished me Merry Christmas.
"Where are you going?" I said stupidly.
"Home. I have to get ready for tomorrow."
"Can't you stay?" I imitated Veronica, opening my eyes wide and
clasping my hands. "We can play cards, or watch television. You could
have a drink."
Mrs. Marsden stopped buttoning her coat at my second suggestion—
she did not have a television—but at my third she continued. On
several occasions I had overheard my aunt complaining to her that a
newly purchased bottle of gin or sherry was almost empty. Once Mrs.
Marsden had rashly retaliated by mentioning Will. Now she told me
not to talk nonsense and picked up her handbag. With a creak of the
door she was gone.

(Continues...)



Excerpted from The Flight of Gemma Hardy by Margot Livesey Copyright © 2012 by Margot Livesey. Excerpted by permission of HarperCollins. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Meredith Maran

“Livesey has pulled off the near-impossible task that the homage begs an author to do: create an original, fresh work that shines in its own light, while bringing an established, esteemed work to the attention of new readers, and showing off previously unseen facets to its fans….”

Connie Ogle

“Jane Eyre gets a terrific modern makeover….Livesey works some sort of magic in The Flight of Gemma Hardy, which is too entertaining to be superfluous, too wise in its understanding of human nature to be a mere retread.”

Lisa Shea

“A brilliantly paced contemporary adventure about a headstrong orphan’s struggle to claim a place for her generous heart in a secret-laden, sometimes loveless world.”

Sam Sacks

“Absorbing….Ms. Livesey writes lovely, understated prose…[her] treks through the novel’s pleasing natural landscapes…are almost as engaging as her navigation of Gemma’s restless psyche.”

David Wroblewski

“The portrait of a delicate, iron-willed girl, an orphan and a heroine in the grand tradition…. Here as in all of Livesey’s novels, the real treasure is her gift for exploring the unreduced human psyche with all its radiant contradictions, mercurial insights, and desperate generosities.”

Sarah Towers

“A delight....Livesey is a lovely, fluid writer.”

Kristin Ohlson

“Marvelous....Gemma Hardy is one of those page turners in which you occasionally have to wrest yourself away from the plot to admire the language.”

Liza Nelson

“A cunning adaptation.”

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